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...WIDE WORLD OF SPORTS (ABC, 2:30-4 p.m.). The America's Cup Races, live from Newport, R.I., along with live coverage (via satellite) of the Karl Mildenberger-Oscar Bonavena heavyweight bout from Frankfurt...

Author: /time Magazine | Title: Television: Sep. 15, 1967 | 9/15/1967 | See Source »

...Alen's VASSS (for Van Alen Simplified Scoring System), in which zero is zero, a point is a point, one game of 31 points decides a match, and both spectators and players are spared such dreary marathons as one of the doubles contests at last month's Newport Hall of Fame Invitational. The match lasted 6 hrs. 10 min., and the final score was 3-6, 49-41, 22-20. With that ever-present possibility, it is no wonder that the West Side Tennis Club's 14,000-seat stadium in Forest Hills, N.Y., was one-third...

Author: /time Magazine | Title: Tennis: Anyone for Sense? | 9/15/1967 | See Source »

...concert tour after 17 years in London, where he has produced a widely performed repertory of orchestral, ballet and chamber music, plus several operas that have been making the rounds of English and Continental houses. As for stocktaking, he could count in a substantial success two weeks ago at Newport, R.I., where...

Author: /time Magazine | Title: Composers: Australian Parenthesis | 9/8/1967 | See Source »

Impressed, Gutman proposed the score as leavening for Newport's predominantly romantic fare. It proved a charming, simple musical translation of Wilde's fable, a transparently written score for a vocal ensemble of children and grownups whose occasional peppery dissonances failed to diminish the limpid simplicity of its lyric lines. Like many of Williamson's works, it suggested the composer's varied background...

Author: /time Magazine | Title: Composers: Australian Parenthesis | 9/8/1967 | See Source »

...tried all sorts of categories. After arriving in London, he worked with twelve-tone Composer Elisabeth Lutyens, but soon found that discipline "stiff and disagreeable." Now his manner is basically tonal, which, he feels, actually affords the composer a wider horizon of dissonance. In another Williamson work produced at Newport, a nonet for five players and four dancers, long sequences of butter-would-melt tunefulness suddenly gave way to a perky hell-for-leather style reminiscent of Stravinsky's acidulous neoclassicism...

Author: /time Magazine | Title: Composers: Australian Parenthesis | 9/8/1967 | See Source »

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