Word: newsreelers
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...primitive, desperate odyssey by the last bewildered survivors of an atomic holocaust, stumbling through the wreckage of a vanished civilization. Neither moralizing sci-fi nor melodrama, despite its fanciful premise, the film is rather like a cinéma vérité doomsday documentary-a parable in newsreel form...
...knife fight between hungry men and young boys and an old cripple waiting for a prostitute, exposes the fundamental contradiction between an idealized political order and the real needs of a majority of Argenines. A spoken historical analysis of Peronism in Part II remains detached literally from the newsreel footage that accompanies it, so as to reinforce the idea of an analysis above and beyond a mere recapitulation of events. And in addition to these contextual uses in organizing images and posing contradictions, sounds prove the most efficient and economical way of presenting statistical information...
...same time serve as concrete receptacles for the ideology presented by the sound-track. These images are not called upon to reproduce reality, but to act as models used in discussing, describing, criticizing reality. Rather than collecting a predominance of "convincing" visual examples of the system's brutality-Newsreel-like riot footage, malnutrition scenes, etc.-Solanas concentrates on the brutality (or ease) of everyday class life, presenting images of the human recipients-victims of profiteers-by the logical extension of the system's statistical inequalities being considered. These class depictions (signs) are designed to mediate larger social contradictions...
...blood of the people is sacred!") which restrains him from benefiting them materially through force against a feudal system. Paulo Martins combines the political rationality of one and the spirituality of the other, attempting synthesis in his own chaotic life. He narrates the film in flashback, struggling between newsreel-like objectivity and the violent subjectivity of his surrealist fantasies-a dialectic that can't be separated from Rocha's camera-style...
Godard's "political" films address themselves to the formal convergence of CBS and Newsreel. He argues that such affinities are by no means coincidental, but instead arise from an identical purpose-the mere conveyance of information. Godard says it's not what you know, but how you come to know it; not information, but the way you process it, Regardless of its source-CBS or its Newsreel counterpart-information is "neutrally" transmitted to the same society, where the images are analyzed according to the same set of assumptions. You can't tell a picture of a peasant in a Newsreel...