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Word: newsreelers (lookup in dictionary) (lookup stats)
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...movie about Churchill, even a standard patch-up of newsreel clips and familiar speeches, could fail to be moving and dramatic, for he was one of the few consciously theatrical performers in the history of democratic government. His grave and measured voice, somehow made even more sonorous by his lisp, and his majestic, defiant prose gave each of his countrymen a sense of historic purpose and helped keep alive a reassuring belief in the possibility of individual heroism throughout the mass slaughter of World War II. To see a film clip of, say, Neville Chamberlain...

Author: By Hendrik Hertzberg, | Title: The Finest Hours | 12/1/1964 | See Source »

...Finest Hours is necessarily made up mostly of newsreel and government footage shot in black and white Science is as yet unable to convert this kind of film into natural color; so LeVien and Baylis color-dyed the segments. The result is black and whatever light color is appropriate to the mood, such as orange or green, rather than black and white...

Author: By Hendrik Hertzberg, | Title: The Finest Hours | 12/1/1964 | See Source »

...candidate Kennedy finally entered the state, it was a distressingly ineffectual speaker and awkward campaigner who appeared. While he improved tremendously during the campaign, Kennedy is still incredibly nervous on television, and his hands tremble noticably even when cameramen corner him in a hotel corridor to film a short newsreel clip...

Author: By Richard Cotton, | Title: A Subdued RFK Plays to Huge Crowds | 10/30/1964 | See Source »

...tragedy is assembled and analyzed, adduces no new evidence, proposes no exotic theories. Produced by David Wolper, who in 1963 put together a prizewinning TV documentary (The Making of the President, 1960) about Kennedy's election, Four Days is essentially an extended newsreel, a rough anthology of television tapes, amateur movies and reconstructed scenes. Much of the footage has never been shown before; some of it is striking...

Author: /time Magazine | Title: Cinema: Death in Dallas | 10/23/1964 | See Source »

...entirely devoid of pleasures, even though most of them are purely visual. Two sequences in particular stand out, one at the beginning, one at the end. When the idiot first returns to his native Hokkaido, some shots of people and horses in the snowy streets have a refreshing, newsreel-like quality. And in the final half hour of the film, the shadow cast by an ornately carved screen takes on the aspect of a patterned hallucination...

Author: By Martin S. Levine, | Title: The Idiot | 10/6/1964 | See Source »

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