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While most people are making lists of gifts to buy kith and kin this holiday season, three generous souls in Kennett Square, Pa., have been reviewing final plans for a brand-new after-school program, scheduled to open in January. John and Denise Wood, both 81, and Marshall Newton, 66, have been recruiting fellow retirees, along with high school and college students, to serve as volunteer instructors in a range of after-school activities--including computer sciences, drama, entrepreneurship, sewing, sculpture, chess and dance--for the greater Kennett community's middle school children...

Author: /time Magazine | Title: The Give-Back Years | 12/14/1998 | See Source »

...need for such a program in Kennett Square, home of a thriving mushroom industry that has drawn an ethnically diverse population of 22,000, was revealed to Denise Wood and Marshall Newton while they were working on a three-year community quality-of-life survey sponsored by their church. One of the recurring laments heard on taped interviews conducted by Newton, a former financial manager for DuPont, was the lack of activities for children between the end of the school day and the time parents return home from work...

Author: /time Magazine | Title: The Give-Back Years | 12/14/1998 | See Source »

Though the script itself is painfully hackneyed, Pitt just seems to have no clue. Death is such an abstract type of role that he can basically do anything; all that is required is a consistent, believable interpretation (like Thandie Newton's remarkable performance in the recent Beloved). Unfortunately, Pitt isn't a natural comedian, he doesn't have much range, and he has problems creating a coherent character. One moment Joe is ridiculously inept; the next an almighty deity. For example, he comes to Earth having no idea what peanut butter is--he literally probes the jar for minutes...

Author: By Soman S. Chainani, CRIMSON STAFF WRITER | Title: Welcome to the Brad Pitt School of Acting | 12/4/1998 | See Source »

Dawkins' thesis has integrity. But the proof he offers does not. The whole title of Dawkins' book, Unweaving the Rainbow, alludes to an accusation that the romantic poet, John Keats, once directed at Newton for "unweaving the rainbow by reducing it to its prismatic colors." And so, instead of speaking of science and humanities in a broad sense, Dawkins uses Unweaving the Rainbow to function as an odd sort of rebuttal in which he accuses Keats (and every other romantic poet who criticized science) as being patently wrong. Although Dawkins' writing is lush and poetic, his approach is bizarre...

Author: By Joanne Sitarski, CRIMSON STAFF WRITER | Title: When the Two Cultures Go to War, Science Loses | 12/4/1998 | See Source »

...deconstructs science, not poetry. Making the verses of Keats a central motif in the book weakens the rest of Dawkins' argument because it causes him to fall victim to fallacy. When he examines Keats' verses and claims that, in his exaltation of nature, Keats was doing the same as Newton, he is wrong. Keats was not doing the same as Newton. Certainly, in the abstract sense, they both sought truth and understanding. But while a nexus between science and literature can be found in these common goals, it cannot be found in a common approach. Keats found as much physics...

Author: By Joanne Sitarski, CRIMSON STAFF WRITER | Title: When the Two Cultures Go to War, Science Loses | 12/4/1998 | See Source »

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