Word: next
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Dates: during 1960-1969
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...start by driving up the shore from Santa Monica to Malibu just because I like the drive. That area, along the shore, is my idea of California. It has the free impermanence of the place. The beach houses stand wall to wall on the sand, weather-beaten dwellings right next to opulent villas. The cliff on the other side is raw, crumbling dirt, and it periodically dumps its houses right down on the road. I get the feeling that the whole state may subside into the ocean some...
...about that advertising was almost superfluous. By noon, the line stretched along 51st Street, turned the corner at shuttered Lindy's onto Broadway, headed uptown, rounded the corner again and began backing up into 52nd Street. The first day of box-office take for Coco, which starts previews next week, was a record-breaking $35,000 (at $3 to $15 a seat...
...first time. A congressional committee began hearings on railroad accidents, which Nader claims are responsible for 1,800 deaths a year. And the Department of Transportation issued a policy statement promising to make public soon the names of auto brands that fail to meet Federal safety standards. Next, Nader plans to petition the Federal Aviation Agency to ban smoking on planes for safety's sake...
...which is scheduled to get the first of the new jets early next year, is in a particularly tough bind. For the first time, it has carried fewer transatlantic passengers this year than TWA. After reporting that third-quarter earnings had dropped from $25 million to $8 million, Pan Am laid off 750 employees, including 450 of its 3,600 pilots and flight engineers...
...parody, his is ultimately a critique of the conventions he is parodying. In one disarming aside to the reader, Fowles argues that the Victorian novelist, aided by his assumed omniscience, patted life into artificial patterns and robbed characters of reality. While the Victorians believed that "the novelist stands next to God," Fowles takes his stand next to Godot. He proclaims that the novelist's first principle is the "freedom that allows other freedoms to exist," namely those of his characters. To illustrate the point, he twice ties up his narrative strands in tidy traditional endings, then backs...