Word: next
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Dates: during 1990-1999
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...What luck! I spotted the next big music phenomenon when two girls and two boys took to the stage as the opening act at a recent pop extravaganza. Critics will argue that theyve got itthat vaguely-defined, over-emphasized star quality which makes success inevitable. But Im pretty sure that theyll launch hit after hit because theyve got the five ingredients to be a pop culture phenomenon...
...currently rockingor rather poppingthrough Europe on their oh-so-demanding lip-synching tour. When they make their U.S. debut later this year, expect mass hysteria (t-shirts, lunchboxes, posters, book tie-ins, etc.oh and a deal with Pepsi once the Ricky Martin contract dies a miserable death in the next few months). After all, theyre young, dreamy and entirely unoriginalwhat more could you want...
...wanted to go one step furtherand so, I kept my eyes and ears open for anything particularly interesting that might be happening next semester. Randomly, through a friend of a friend of a friend, I got my hands on a play called In Between OClock by Michael Ragozzino 01. I read it in one blast (now if only I could do that with my other reading) Its a wicked little existential story with a fantastic lead role (Mike wrote the play as an independent study with mentor Adrienne Kennedy, award-winning playwright and Harvard professor)and Im entirely curious...
...works by member artists Jackie Bayne, Tom Cole, Michael Long, Erica Moody, Steve Morell, Rebecca Tasker and Mitch Rosenberg, selected by Bernie Toale of the Bernard Toale Gallery. Of note are Steve Morell's precious schoolroom-esque doodles and Tom Cole's incisive installation art-cum-social commentary. Next year, watch for an all-student show curated by Howard Yezerski of Yezerski Gallery...
...small but worthy gallery, Oni was founded in 1998 and recently moved next door and five floors up from its original site. Currently showing is "Formula," an exhibition of New York-based artists rounded up by one of Oni's original founders, Cheyney Thompson, who migrated there recently. Thompson's "1839," a series of acrylic paintings of woodbeam-and-brick cross-sections on transparent organza, exposes infrastructural delicacy. Also with Nathan Carter, Daniel Lefcourt, Tim Seiber and Bettina Sellman, whose installation, "the absence of dreaming," encases mute forms in satin...