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Word: ngler (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

...Wilhelm Furtwangler, backed by Goebbels, clearly could not stomach the competition given him by young Conductor Herbert von Karajan, a Goring protege, and undercut him at every opportunity. Von Karajan (pronounced approximately carryon) coldly played a waiting game. His attitude: "I have time." He was right. When Furtwängler died in 1954, Von Karajan assumed all the old man's prestige and more. Today, Austrian-born Herbert von Karajan is lord of a unique musical empire: he controls the Berlin Philharmonic Orchestra, the Salzburg Festival and the Vienna State Opera, directs the major recordings of London...

Author: /time Magazine | Title: Music: Music Empire Builder | 10/8/1956 | See Source »

...Puccini's Girl of the Golden West. Euryanthe was presented in its uncut version and the audience learned to appreciate the program note from a Weber contemporary: "This man writes for eternity and so his operas never end." Other festival events were concerts under Wilhelm Furtwängler, Guido Cantelli and Bruno Walter...

Author: /time Magazine | Title: Music: Summer Music (Europe) | 5/24/1954 | See Source »

...direction of Hermann Scherchen (Westminster, 4 LPs); all ten of Beethoven's Violin & Piano Sonatas, played by Violinist Joseph Fuchs and Pianist Artur Balsam (Decca; 5 LPs); Wagner's complete Tristan and Isolde, with Kirsten Flagstad, Ludwig Suthaus and the Philharmonia Orchestra conducted by Wilhelm Furtwängler (Victor...

Author: /time Magazine | Title: Music: New Records, Dec. 28, 1953 | 12/28/1953 | See Source »

Furtwängler's notion of the reason: "Tonal music [i.e., the music of the classics, from Beethoven to Home Sweet Home] meets certain deep-rooted biological requirements in human nature...

Author: /time Magazine | Title: Music: Lessons at 67 | 4/20/1953 | See Source »

...atonal music we find tensions ... an infinite mobility ... a deep disquietude . . . The listener is seized for a moment, but afterward he wonders what he has really heard." Then why have composers been writing atonal music for 40 years? And why do they keep on writing it? Furtwängler: "It cannot be denied that modern man finds in this music an echo of his own feelings . . . Atonal music expresses something of the enigmatic times in which we live." What will the upshot be? Furtwängler: "We must let matters ripen . . . The final decision will rest with human nature...

Author: /time Magazine | Title: Music: Lessons at 67 | 4/20/1953 | See Source »

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