Word: niall
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Dates: during 1950-1959
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...Laborites, cock-a-hoop with the victory, had won with 1) a more attractive candidate (capable Barrister Niall MacDermot), 2) a solid, close-to-the-pocketbook issue in a proposed Tory bill to relax rent controls, 3) a much better political machine. The Tories were inclined to blame most of their troubles on a third candidate, a Junoesque, right-wing independent named Leslie Greene, 31, who campaigned on "I have no faith in the U.S." She siphoned off 1,487 votes, the majority of them presumably from the Tories. But Candidate Greene was not the whole explanation; since the last...
Oddly enough, neither Farmer nor Labor Candidate Niall MacDermot (a Cambridge-educated barrister) had a thing to say about Suez. The issue at stake was far closer to the British home and pocketbook: rent control. Last week, despite some timid objections from the back benches, the Macmillan government was going all out to put through its bill relaxing the controls which have frozen some 6,000,000 British rents at close to prewar levels ever since 1939 (only 6½% of income now goes for rent, as opposed to 11% prewar). The bill would raise the rent ceilings on some...
...scene between the reformer and his Church superior, Martin Luther hits at the audience's intellect rather than emotion. Luther spells out his doctrine with force and drama, but his fervor is always under control, and his heated voice never tries to add potency to his words. Rather is Niall MacGinnis, as Luther, remarkable for his restraint. At the scene of Luther's trial before Emperor Charles V, when Luther is offered safety if he will recant his theses, MacGinnis is superb. His voice and mouth tremble as he seems on the verge of tears, so passionate is his devotion...
...Hollywood's inclination to see every religious picture as de Millennium. Documentary-minded Louis de Rochemont (Lost Boundaries) likes authentic outdoor sets and on-the-spot extras, and Producer Lothar Wolff sent him to western Germany to get plenty of both. To play Luther, Wolff chose British Actor Niall MacGinnis, surrounded him with a varied cast, and began to shoot scenes in 12th century Maulbronn Cloister, Eberbach Cloister and the castle at Eltville (instead of Luther's Wittenberg, which is in Russian hands). Even more impressive than the authentic sets are the intense, characterful faces of the extras...
Theirs is not an easy relationship. Glamourous Maria is the illegitimate daughter of a lusty old singer whose tender renderings of songs such as Ah, Moon of My Delight caused whole cities to burst into loud sobs. She is in love with sensitive Niall, who is the illegitimate son of the singer's wife, in her own day a popular dancer. The only legitimate fruit of the muses' union is daughter Celia, who is as sedate and unromantic as a registered ccw-the invariable fate, in such fiction, of those unfortunate enough to have been born in wedlock...