Word: nicholson
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...Jack Nicholson's description of terminal illness: "You go home to some ceremonial procession into death, with everyone standing around watching you die while you try to comfort them. Is that what you want? To be smothered by pity and grief...
...sure hand of Rob Reiner, director of classics including “When Harry Met Sally” and “The Princess Bride,” the viewer can leave the theater a little more grateful for the simpler things. Edward Cole, played by Jack Nicholson, and Carter Chambers, played by Morgan Freeman, meet in a same hospital room where their very divergent lives are thrown into sharp relief. Cole, a billionaire who just happens to own the hospital, is a man who lives by breaking the rules—always taking what he wants before considering others...
...event. "I'm not supposed to call this a small movie or an experimental movie," he says, because he knows it might turn off fans. It probably didn't help that he was quoted in the November GQ as saying he felt Robert De Niro, Al Pacino and Jack Nicholson have lost the passion for good roles. Coppola told reporters in Rome that the comments were taken out of context, saying, "I was astonished because it wasn't true, and I have nothing but respect and admiration" for the actors. "These are the three greatest actors in the world today...
...still absorbing the initial outrage that had ensued, from both fashion executives and those suffering from an eating disorder. Dressed in jeans and a blue checkered shirt, Toscani is a big man with a square jaw who doesn't sit still, something of an even more hyper Jack Nicholson. He neither casts off nor takes too seriously the criticisms, including the accusation that the outcry is exactly what he's aiming for. "Sure, you want to get people's attention. This is communication," he says. "But I still can't understand why people are shocked by something that obviously exists...
...waving a big sword - takes it into her head to rally her troops, drawn up on the shore, impotently waiting for the naval engagement to begin. She is given a noble rallying speech to sing out - her St. Crispin's Day moment - but, putting this as gently as possible, Nicholson and Hirst are not exactly the Bard of Avon, and Kapur is not exactly Laurence Olivier when it comes to staging this emptily rhetorical, entirely fictional moment. The director not much better with the ensuing naval battle, which is more symbolically than realistically staged...