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...besides infighting, Nicholson has through the years mastered the craft of acting with such thoroughness and skill that each role seems founded on some spontaneous intuition. It is his talent and pleasure never to let all the preparation and all the work he does for each role show. Nicholson shares that knack for apparently effortless deception with the very best screen actors. As Humphrey Bogart once said of Spencer Tracy, "He is so good because you don't see the mechanism working...

Author: /time Magazine | Title: The Star with the Killer Smile | 8/12/1974 | See Source »

...kinetic performance in Easy Rider, the shrewd observation of the frantic womanizer in Mike Nichols' Carnal Knowledge and the unflappable incarnation of J.J. Gittes, the private eye on the make in Chinatown, Nicholson has built up one of the most impressive actor's portfolios in Hollywood. His are the kind of credentials the town likes best. The recent movies Nicholson stars in are generally well received, and he himself invariably is. His presence in a starring role seems to guarantee both prestige and a profit. That makes Nicholson the man most in demand, the dearest form of collateral...

Author: /time Magazine | Title: The Star with the Killer Smile | 8/12/1974 | See Source »

Mike Nichols, who has just started directing Nicholson again in a comedy called Fortune, says flatly that Nicholson is destined to become "one of the giant film stars of all time." Tony Richardson, who hopes to snag him for a new film, gushes that "we are entering the era of Jack Nicholson." It is not necessary to have a vested interest, however, to see that Nicholson right now is on top. A look at Chinatown's weekly top-ten placing on Variety charts is one kind of proof, Jack's current $750,000 asking price (plus a good...

Author: /time Magazine | Title: The Star with the Killer Smile | 8/12/1974 | See Source »

Though established as a name, Nicholson is in the first flush of excitement at being a household word right now, and he is handling it with the respectable glee and half (but only that) the mocking humor of a sort of cutup prince regent. He is talking to Stanley Kubrick about playing Napoleon, to Bernardo Bertolucci about being the Continental Op in a film of Dashiell Hammett's Red Harvest. Milos Forman is waiting for him to finish Fortune, so he can start playing McMurphy in an adaptation of Ken Kesey's One Flew Over the Cuckoo...

Author: /time Magazine | Title: The Star with the Killer Smile | 8/12/1974 | See Source »

...Easy Rider (1969) and in the freer, more personal films that flowed from its success, Nicholson became a kind of figurehead for a loose group of actors and film makers who were trying to expand the commercial genre. Nicholson, Actors Peter Fonda and Dennis Hopper, Writer-Directors Bob Rafelson, Monte Hellman, Carol and Charles Eastman-none of them then well known-all cheered and boosted each other. Their work was almost always full of aggressive invention (Rafelson's Five Easy Pieces, Hopper's The Last Movie, Nicholson's own Drive, He Said), but the new Hollywood passed...

Author: /time Magazine | Title: The Star with the Killer Smile | 8/12/1974 | See Source »

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