Word: nicholsons
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...populated by both strippers and ex-boyfriends that would bring a tear to V. I. Lenin’s eye. But if Ms. Tequila and her stripper friends all want the same thing, then why are they fighting with each other for the attention of all these sleazy Jack Nicholson look-alikes? Clearly all is not well in the trailer park commune. My expos preceptor taught me how to ask questions that reveal the deeper meaning of a work. When Tila looks pensively into the camera toward the end of the video, is she criticizing the worth of this stripper...
...these celebrations are centered around Irish pubs and green beer, but whatever. Grab a shot glass and celebrate Washington’s victory with Martin Scorsese’s love letter to Boston, “The Departed.” TAKE A SHOT… 1. Whenever Jack Nicholson scares the shit out of you. 2. Whenever Leonardo DiCaprio cries like a girl. 3. Whenever you remember that no matter how badass Mark Wahlberg is, he still sang “Good Vibrations” with the rest of the funky bunch. 4. Anytime anyone in the movie...
...strike by saying, "Welcome to the make-up sex." He confided to the viewing audience what the crowd at the Kodak Theatre does during commercial breaks: "Mostly we sit here making catty remarks about how you look at home." After making the mandatory joke about front-row perennial Jack Nicholson, he added, "The compulsories are over." I still prefer Stewart hitting the rage button on The Daily Show, but I can't dump on a monologue that ends a Barack Obama joke with the words "Gaydolf Titler...
...then there were the montages–oh, and there were many. Thanks to the Academy’s desperate preparation for an unscripted ceremony, the audience was treated to a plethora of clips of awards past. I knew it was going to be a tedious affair when Jack Nicholson introduced a montage of every single Best Picture winner—wholly unnecessary and a reminder of how dumb some of those picks were. (“Around the World in 80 Days”? Really?) At least some of the clips of acceptance speeches from decades ago provided...
...film recounts the details of the night Polanski brought 13-year-old Samantha Gailey to Jack Nicholson's house for a magazine photo shoot and allegedly gave her champagne and quaaludes before having sex with her. Gailey, now Samantha Geimer, tells the story from her point of view in the film, saying she's not angry with Polanski. Polanski, now 74, declined to participate in Zenovich's movie. "He felt it would look like self-promotion," Zenovich says. "He said I don't want to seem like a prima donna. I want to help you but it's just...