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...modernist fragmentation. Solid, chunky, driven, greedy: these adjectives apply to Kitaj's appropriation of the world-particularly the bodies of women-with line. Sometimes his egotism goes out of control or his taste fails him, or both, as in an absurdly paranoid self-portrait that looks like Jack Nicholson fried on acid. But when confronted with the posed model, in The Waitress or his various nude studies, Kitaj draws better than almost anyone else alive, taking on all the expressive and factual responsibilities of depiction and carrying most of them through...

Author: /time Magazine | Title: Art: Edgy Footnotes to an Era | 10/26/1981 | See Source »

...invest in itself. In early 1980, the conglomerate, with several blue-chip insurance companies, bought up all its outstanding publicly held stock for $450 million and went private. Prudential now has 29% of the company, with smaller pieces held by Aetna, Travelers and Connecticut General. In addition, Eddy G. Nicholson, chief operating officer of Congoleum, and Byron C. Radaker, its chairman, are shareholders...

Author: /time Magazine | Title: Bath's Fighting Company | 10/12/1981 | See Source »

...Though Nicholson will not reveal profit figures, he says that BIW is doing much better than it was at the time of its last public accounting in 1979, when it earned $28.2 million during the first nine months of the year. The firm has a defense order backlog of $800 million...

Author: /time Magazine | Title: Bath's Fighting Company | 10/12/1981 | See Source »

Calvin, Brooke, Andy and Halston were there. So too were some inveterate partygoers who travel under both their names: Christopher Reeve and Jack Nicholson, for example. But in the crush of the reopening of Manhattan's Studio 54, at least as many other notable nighttime nabobs were left out in the rain. Conspicuous by their presence inside, were former Owners Steve Rubell and Ian Schrager. All told, 10,000 invitations went out for a club that legally accommodates only 1,800. "It was so crowded," said Designer Klein after his twirl on the dance floor with Brooke, "that absolutely...

Author: /time Magazine | Title: People: Sep. 28, 1981 | 9/28/1981 | See Source »

Even worse, the passions which drove noir seem almost charming today. When Roman Polanski made the mock-noir Chinatown, he had to slice open Nicholson's nostril to get the same effect that was once accomplished by showing a couple of thugs lurking outside the window. Leave it to the Reader's Digest to mourn our passing national innocence--but the real problem is we've lost our faith in passion. Murder and passion seem almost antithetical at the present, and adultery--well, adultery is for adolescents...

Author: By Thomas Hines, | Title: Knock, Knock | 4/11/1981 | See Source »

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