Word: nicholsons
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Carnal Knowledge-- Jack Nicholson and Ann Margaret go the way of all flesh in this bizarre and pointless chropnicle of developing sexual awareness. Art Garfunkel maundered his way through the film just like he's maundered his away through his recent songs while Ann Margret provides the jiggle interest. Nicholson is both effective and repulsive and the ending is a masterpiece of peverse nihilism. In short, an interesting waste...
...Actor Jack Nicholson put in a successful bid of $7,728 for a Tiepolo chalk sketch. French Idol Alain Delon also bid on old master drawings, but came away emptyhanded. "The prices were very high," he said. "Not too high for me, but for the pictures." When Zurich Dealer Walter Feilchenfeldt, bidding for a German museum, paid $1,177,600 for a small watercolor by Albrecht Dtirer, reporters asked if he had not gone overboard. He answered coolly: "It went more or less according to plan." Said Sherman Lee, director of the Cleveland Museum...
...life-style may be odd, the methods unorthodox, but Warren Beatty gets what he wants. And it almost invariably works ?and sells. No actor of his generation, not Redford or Nicholson, has been a star half as long as Beatty has. Few in the film industry make as much money. No one can do so many of the jobs required to create a successful film as he. In the most visible function, acting, Beatty, unlike Travolta or De Niro, began at the top. He has been a sensation ever since he first appeared on the screen, in Splendor...
...half years ago, Beatty began building a mansion near his pal Jack Nicholson's spread on Mulholland Drive; there isn't a soul in Hollywood who believes that Beatty will ever move into it. "There's no anchor in Warren's life," observes one friend. "Warren is always on the go," says Arthur Penn. "He travels light and takes one small suitcase from coast to coast. I guess you'd call him a very rich migrant worker." Last week Beatty arrived in New York to organize the advance screenings of Heaven Can Wait and harass the Paramount sales force with...
Before there was Pacino, or De Niro, or Nicholson-before there were James Dean and Marlon Brando even -there was Montgomery Clift. Bursting onto the screen in Red River and The Search (both 1948), Clift set the standard for a whole generation of actors. He was intense and hypnotically alive. His lines seemed to come not from the script but from the gut, and he seemed dangerously unpredictable, like a high-tension wire torn from its moorings. For the better part of a decade, Clift was the star producers sought first. But then, in the longest suicide in Hollywood history...