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...been spared such compulsive poor-mouthing-so far. Gould's irresponsible childishness on and off the screen may give a vicarious thrill to many who share his petulant self-pity, but until he grows up, this moviegoer will continue to opt for the likes of Dustin Hoffman, Jack Nicholson and Alan Arkin...

Author: /time Magazine | Title: Letters: Sep. 28, 1970 | 9/28/1970 | See Source »

...Five Easy Pieces, Nicholson has retaken the high ground. He is Robert, an oil rigger, beering and wenching with the worst of them. One morning, caught in a traffic jam, Robert explodes. He clambers aboard a moving van, uncovers an old upright and begins playing a delicate Chopin fantasy...

Author: /time Magazine | Title: Cinema: Supergypsy | 9/14/1970 | See Source »

Therein lie the liabilities and virtues of this rich, contradictory work. Smith, a resourceful performer, has to work solely with her face; she does not get much aid from the script. Nor does Nicholson. Is Robert running away from excellence, or from the fear of failure? In one long pan, Producer-Director Bob Rafelson tries to supply an answer. Robert plays a Chopin prelude in an attempt to seduce his brother's protégée (Susan Anspach). Up moves the camera to a wall of pictures. There are the young siblings, smiling, optimistic, untouched. On an adjacent...

Author: /time Magazine | Title: Cinema: Supergypsy | 9/14/1970 | See Source »

Unequal Time. Amongst mannerisms and quirks, Nicholson rides uneasily. As he plays him, Robert is a hollow man who can grab but not touch; in his joyless sex scenes and sudden tantrums, the failed prodigy is pathetically credible. But his attempts at humor make him look a bit like a third Smothers brother, and Nicholson's now familiar laconic manner and smile often appear to be a handy substitute for acting...

Author: /time Magazine | Title: Cinema: Supergypsy | 9/14/1970 | See Source »

...entirely free of stylistic ties. On the road, Robert and Rayette pick up two dykey hitchhikers. One is sullen. The other (Helena Kallianiotes) delivers a ten-minute broadside at "man." She hates to disclose her destination (Alaska) because "man" will go up there and make it filthy. Like Nicholson in Easy Rider, Kallianiotes knows how to establish a character swiftly and how to make a running gag gallop. When she is on, the picture is wholly hers. Perhaps it is a characteristic of the new "road" pictures. In which case, the star should have known his fate. After...

Author: /time Magazine | Title: Cinema: Supergypsy | 9/14/1970 | See Source »

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