Word: nick
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Dates: during 1980-1989
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Gargantua defies analysis because it has no plot, no point and, as the narrator (Nick Davis) is careful to point out at the end of the play, no moral. It's good; it's scurillous; it's even sacrilegious. As the players tell the audience during the show's denouement--if you could call it that--the play is no more than "a healthy dose of sex and violence--in church, no less...
...Nick Davis '87, one actor in the show, said acting in a radio drama isn't all that different from acting in a theatre, but "it gives you the chance to concentrate on just doing voices...
...fair, director Patrick Bradford's Tempest is worth seeing for its first-rate performances. Eric Oleson is superb as the aging Gonzalo, shuffling and pontificating with perfect ease. Nick Lawrence pulls off a highly credible Prospero; Naama Potok and Andrew Sullivan are convincing as the youthful lovers Miranda and Ferdinand...
...while away our time with a game of twenty questions, the knot between good acting and good lighting is tightening onstage. Nick Lawrence, Andrew Sullivan, and Naama Potok--as Prospero, Ferdinand, and Miranda, respectively--are already confident in their roles, consistently delivering fine performances. All that remains is to ensure that they don't have to speak their lines in darkness...
...short, unless Lichtman in his superior moral state actually sent his $5 to Oxfam, he has no valid reason for skipping the fast. Nick Salafsky...