Word: nicks
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Dates: during 2000-2009
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...first interview since his anti-Semitic tirade in July, that the comments he claimed were "the stupid ramblings of a drunkard" may stem from resentment over the criticism he got for The Passion of the Christ. Also, although in a drunken rage, he managed to think clearly about Nick Nolte. Gibson told Sawyer he combed his hair so "one of those hideous mug shots" wouldn't be everywhere. "Vanity won out," he said...
...largest baton ever, as confirmed by the Guinness Book of World Records, at ten feet.Dawson was the next to tack a record onto his already impressive resume. With 3:44 left in the third quarter, the back ran for his 52nd career rushing touchdown, tying him with Brown graduate Nick Hartigan for first on the all-time Ivy League list. The win was also Harvard head coach Tim Murphy’s 78th career victory at Harvard Stadium. It moved him into a tie for second with John Yovicsin, who coached from 1957-70, and left...
...equal the three touchdowns he had scored in each of Harvard’s first four games, but Dawson did rush for 144 yards on 26 carries with a single score. His lone touchdown tied him with 2006 Brown graduate Nick Hartigan for the most career rushing touchdowns in Ivy League history, and he now sits in fourth-place on the all-time yards chart...
...Nick Hornby’s “High Fidelity” started as an extremely popular British book about a thirtysomething record storeowner, Rob Gordon, who understands his love of music more than his love life before being adapted into a perhaps better loved film, set in Chicago. The movie improved upon Hornby’s dry wit, obsession with pop music, and musings on romance with the talent of John Cusack, Jack Black, and Tim Robbins, and a soundtrack ranging from indie pop to Motown soul...
...sweeping crescendo. Near the end, Fishburn muttered the bleak line, “It’s the one part of my life that feels right...and that’s the bit that’s wrong,” with a chilly eeriness. Sound designer Nick J. Shearer ’09 took a rather minimalist approach with the use of music and sound effects throughout the production. But in the rare instances when they were employed, they succeeded in heightening both humorous and more dramatic moments. Lighting designer Josh Randall’s subtle uses of light...