Word: nicol
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Dates: during 1960-1969
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UNIVERSITY OF CALIFORNIA AT BERKELEY, New Zellerbach Auditorium (July 8-13). Tony Richardson's production of Hamlet stars Nicol Williamson...
...Actor Nicol Williamson rejects the notion of Hamlet in the buff, for example, but conceded in a recent New York Times interview that he would be in favor of disrobing for the title role in a planned London production of Prometheus Bound. After all, he argued, it is hardly rational for a fallen god, chained to a rock until the end of time, to wear a tigerskin loincloth for eternity. A more immediate concern for many actors and actresses is that few have the physical endowments to withstand public scrutiny. Shelley Winters, now 46, observed of onstage nudity: "I think...
LAUGHTER IN THE DARK. Love is literally blind in this black comedy about a wealthy Englishman (Nicol Williamson) who becomes obsessed with a lascivious movie usherette (Anna Karina). Williamson gives a strong performance as a weak man. The script-from Vladimir Nabokov's novel-is intelligent, and Tony Richardson's direction is undoubtedly his best since The Entertainer...
HAMLET. Every Hamlet bleeds in the last scene; Nicol Williamson pours his blood into every scene. Williamson's Dane would have led a sit-in at the University of Wittenberg, or burned it to the ground. The rottenness of the state, the corruption of his elders, the brevity of his mother's love, Ophelia's frail readiness to be her father's pawn-all these nauseate him. Yet his antic disposition never leaves him, and a Hamlet has never been presented with so much caustic wit. With this performance, Nicol Williamson makes all previous Hamlets fade...
Chart of Evil. The experience is a distortion of Sir Edward's early gropings in the darkened theater. But now the blackout is permanent, and the laughter an echo of hell in which there can be no conclusion without calamity and no denouement without death. As More, Nicol Williamson moves through the film with a looming rage that is Shakespearean in its intensity.* Bathed in such solar glare, the other actors are lit only by reflection. Karina looks and sounds a tart, but she has little of the compelling eroticism that the part requires. At his worst, Herve should...