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...choice of this play marked an act of courage. Few people are familiar with it. Those with any knowledge of the plot have usually acquired it through one of the dozen or so operatic versions, chiefly Nicolai's Merry Wives of Windsor, Verdi's Falstaff, or Vaughan Williams' Sir John in Love. But the directors were willing to gamble (or gambol); and their slot (or slut) machine has come up with three cherries--a winning combination that ought to keep the box office coffers filled and the audience coughers silent...

Author: By Caldwell Titcomb, | Title: The Merry Wives of Windsor | 7/9/1959 | See Source »

There were other stars both evenings: Vladimir Levashev, who danced the role of the Evil Sorcerer with briny conviction and made his final, crippled death dance a wonderful virtuoso exercise; Nicolai Fadeyechev, who was superb as the Prince, particularly in his leaps in the Act III Black Swan variations; Georgi Soloviev as an acrobatic Jester (a happy Russian addition to the ballet). Occasionally ragged the first evening, the Bolshoi's Swan Lake was danced with fine precision at the second performance. The repetitive, copybook attitudes of the ballet corps occasionally clotted the action and wearied...

Author: /time Magazine | Title: Music: The Bolshoi's Bounce | 5/4/1959 | See Source »

Bell Telephone Hour (NBC, 8-9 p.m.). Mr. and Mrs. José Ferrer (Rosemary Clooney) and Gisele MacKenzie sing pop tunes, opera's Georgio Tozzi and Nicolai Gedda sing a duet from The Bartered Bride, Jose Iturbi plays Chopin, Liszt and Rameau on piano and harpsichord, Maria Tallchief and André Eglevsky dance a classical pas de deux. Color...

Author: /time Magazine | Title: Time Listings: CINEMA | 4/13/1959 | See Source »

Cimarron City (NBC, 9:30-10:30 p.m.). Have Sword, Will Duel presents a dazzling mixture of nationalities: a visiting Russian, Grand Duke Nicolai Alexandrovitch Danovsky, gets involved with an Irish adventurer named O'Hara, and a Latin morsel known as Conchita Lolita Sarita...

Author: /time Magazine | Title: CINEMA: Time Listings, Mar. 16, 1959 | 3/16/1959 | See Source »

...NICOLAI GEDDA, 31. born in Stockholm of Russian-Swedish parents (his father was a baritone in the Don Cossack Chorus), did well in his Met debut as Faust, outdid himself as Ottavio in Don Giovanni, Anatol in Vanessa. Tall for a tenor-his pressagent, measuring with a basketball coach's rubber ruler, claims 6 ft. 3 in. -Gedda offers a clear, sweet voice that may lack warmth ("Champagne rather than Chianti," says one critic), but has strength and purity. His acting is intelligent, his pronunciation unusually correct for the opera stage; he is a linguist, speaks seven languages...

Author: /time Magazine | Title: Music: New Voices at the Met | 2/3/1958 | See Source »

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