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...other opera house. Nowhere but at the Met, for almost any given performance, could two complete casts be mustered that would boast such operatic deities as Sopranos Renata Tebaldi and Leontyne Price, Tenors Richard Tucker and Franco Corelli, Baritones Robert Merrill and Tito Gobbi, Bassos Cesare Siepi and Nicolai Ghiaurov-not to mention a bevy of most attractive younger sopranos such as Anna Moffo, Teresa Stratas and Mirella Freni...

Author: /time Magazine | Title: Opera: Lord of the Manor | 9/23/1966 | See Source »

VERDI: DON CARLO (London; 4 LPs). The usual cuts have been restored and all five acts are here, sung by an assemblage of stars: Renata Tebaldi, Carlo Bergonzi, Dietrich Fischer-Dieskau, Nicolai Ghiaurov and Grace Bumbry. Their voices often outshine their characterizations (though Bumbry is good as Eboli and Ghiaurov as Philip), and the solos are stronger than the ensembles. Conductor Georg Solti generally keeps rein on the sprawling tragedy, which unfolds with dark grandeur and erupts with fiery excitement in the auto da fe in the great Spanish square...

Author: /time Magazine | Title: Television: May 27, 1966 | 5/27/1966 | See Source »

During its last season in its storied and gloried old house, New York's Metropolitan Opera offered some superb new singers, including Italian Soprano Mirella Frem, Spanish Soprano Montserrat Caballe and Bulgarian Basso Nicolai Ghiaurov. The Met also launched its new national touring company, whose performances ranged from a fine Cinderella to a terrible Carmen. Opera companies in other cities tirelessly found out-of-the-way things to do, for instance, the Kansas City production of Handel's 241-year-old Julius Caesar and the Boston premiere of Italian Composer Luigi Nono s starkly modern Intolleranza...

Author: /time Magazine | Title: Essay: THE YEARS BEST, OR, THERE IS ROOM AT THE TOP | 12/31/1965 | See Source »

...glorifying verbiage of your Viet Nam reports is both dangerous and sickening. Please fire the writers and editors responsible and use the money to double the wages of those who gave us the superb music coverage of Nicolai Ghiaurov and Alfred Deller, and that splendid Essay on opera...

Author: /time Magazine | Title: Letters: Dec. 17, 1965 | 12/17/1965 | See Source »

Bassos, by nature's design, are made-to-order heavies - big, beefy, barrel-chested; bouncers who can carry a tune. The foghorn pitch of their voices suggests heartaches not heroics, lechery not love. Bulgaria's Nicolai Ghiaurov, at 6 ft. 2 in. and 200 Ibs., is no exception. Yet in the six short years since he emerged from behind the Iron Curtain, he has won the kind of hand-to-heart adulation usually reserved for tenors...

Author: /time Magazine | Title: Opera: The Big Basso | 11/19/1965 | See Source »

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