Word: nicolelis
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...smiled Composer Richard Rodgers, 74, considering the subject of his new Broadway musical Rex. Based on the life of Henry VIII and scheduled to open in April, the play will feature music by Rodgers, lyrics by Sheldon Harnick (who wrote Fiddler on the Roof) and British Actor Nicol Williamson as Henry. Despite his past successes (The King and I, Carousel, Pal Joey), the old pro composer faces some tough competition from two other Broadway veterans. As Rodgers put the finishing touches to his score last week, Lyricist Alan Jay Lerner and Composer Leonard Bernstein began rehearsals on their...
...going to be lovable, magnanimous, charming, witty and irresistible - not the aesthetic creep we all know and can't stand." So says Actor Nicol Williamson, talking about Sherlock Holmes, whom he plays in the forthcoming movie version of The Seven-Per-Cent Solution. In the film, based on Nicholas Meyer's novel, the tweedy sleuth travels to Vienna and collaborates with - who else? - Sigmund Freud, portrayed by Alan Arkin. It's almost too good to be true, says Arkin. "I didn't know that after seven years in analysis, you get to play Freud...
...three operations that attempted to stem massive internal hemorrhaging and had suffered variously from Parkinson's disease, phlebitis, pulmonary edema and kidney failure. Even in conservative Catholic Spain, some questioned whether the 32 attending doctors might have striven too earnestly to keep the failing dictator alive. His nephew Nicolás Franco answered: "I think it was constructive. It gave Spain time to adjust to the idea that we would be without...
Such odd, frivolous moments make The Wilby Conspiracy a surprisingly breezy diversion. The fugitive pair are pursued by a racist cop (played with excellent wit by Nicol Williamson). A reasonable level of satire is maintained throughout, even while everyone clowns...
...Pippin. In Of Mice and Men, it grants the play a fresh resonance. The interdependence of George and Lennie is far more poignant and tragic than in the original. Indeed, it is doubtful whether the play would have been producible in the old style (a 1968 TV revival with Nicol Williamson and George Segal was two hours of dead air). Matters have reversed themselves since Steinbeck's day, when words were the masters of the stage. Today, as Conway and Jones prove, it is the singer, not the song...