Word: nicolelis
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...lipstick, Consuelo set aside some best dresses, and at 18, Luciana was shuttled from Rome to London to have her nose fixed (the working model was a cross between Vivien Leigh's and Consuelo's). Six months later, she changed her name as well by marrying Prince Nicoló Pignatelli Aragona Cortes; the union was "a disaster" from which she emerged, 15 years later, with two children, one title and "a shattered...
...English at their pleasures," observes an Irish Liverpudlian in The Reckoning. Sorrier still it is to see the dislocated Hibernians at theirs. For the ancients, there is the public house where they undergo the peculiar process Yeats called "withering into truth." For the film's protagonist, Michael Marler (Nicol Williamson), there is London pyramid climbing-ascending corporate strata by using the bow-and-scrape to superiors and the knee-in-groin against competitors...
...undoubtedly look back on the '50s, '60s and emerging 70s as a golden age of British acting. The mature actors-Olivier, Scofield, Gielgud, Richardson and Redgrave -ripened from talent to mastery to greatness. Like dynastic sires, they have inspired an exciting group of young successors-Albert Finney, Nicol Williamson, Ian McClellan, Tom Courtenay -actors less attuned to the niceties of craft, but ablaze with Elizabethan intensity. In Home, the U.S. debut of an extremely evocative new British playwright, David Storey, there is an opportunity to view a feat of artistry by Richardson and Gielgud that becomes legendary before...
...rule it. Some actors hold an audience; a few possess it. Some actors light up a scene; a few ignite the play. These combustible few blaze with the x factors of acting-intensity, intelligence, and authority. Theirs is a royalty apart from role, and when an Olivier, Gielgud, Nicol Williamson or Irene Papas treads the stage, their fellow actors are as rapt as the audience. Though the marquees of Broadway do not bear his name, Moses Gunn is of this regal breed...
...brightest was painted last week by British Actor Nicol Williamson, who was invited to perform for 270 people at the third of the Nixons' "Evening at the White House" series. Williamson enthralled his audience with soliloquies and songs from Shakespeare, passages from Death of a Salesman and Inadmissible Evidence, and snatches of Robert Benchley, E.E. Cummings and William Butler Yeats. Then he led the dancing-music courtesy of The World's Greatest Jazz Band-in the State Dining Room. At one point the multitalented Williamson grabbed a trumpet and played a few bars; later on grabbed some...