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TOPKAPI. A jewel theft in Istanbul is played mostly for laughs by Melina Mercouri, Maximilian Schell and Peter Ustinov in Director Jules Dassin's niftiest caper since Rififi...

Author: /time Magazine | Title: Television: Oct. 30, 1964 | 10/30/1964 | See Source »

TOPKAPI. A jewel theft in Istanbul is played mostly for laughs by Melina Mercouri, Maximilian Schell and Peter Ustinov in Director Jules Dassin's niftiest caper since Rififi...

Author: /time Magazine | Title: Television: Oct. 23, 1964 | 10/23/1964 | See Source »

TOPKAPI. Melina Mercouri and Peter Ustinov make a suspenseful jewel theft in Istanbul look like grand foolery in Director Jules Dassin's niftiest caper since Rififi...

Author: /time Magazine | Title: Time Listings: Oct. 2, 1964 | 10/2/1964 | See Source »

TOPKAPI. Melina Mercouri and Peter Ustinov make a jewel theft in Istanbul look like grand foolery in Director Jules Dassin's niftiest caper since Rififi...

Author: /time Magazine | Title: Television: Sep. 25, 1964 | 9/25/1964 | See Source »

Obviously, Director Jules Dassin isn't. In Topkapi, adapted from a tidy thriller (The Light of Day) by Eric Ambler, he has pulled off the niftiest caper seen on screen since the jewel job he engineered in Rififi. As in Rififi, unfortunately, the rest of the film seems a bit Dassingenuous. The director's jokes are often too laboriously explained, and the camera's adoration of Melina Mercouri, the great love of Dassin's life, is sometimes boring and always embarrassing...

Author: /time Magazine | Title: Cinema: Nympholucrosmaragdomania | 9/18/1964 | See Source »

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