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Word: niggerism (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

...bushy-browed boss of the old Brooklyn Dodgers, was at his histrionic best. Scowling at the young black ballplayer seated in his office, he portrayed in turn a bigoted umpire deliberately making bad calls, a haughty railroad conductor pointing to the Jim Crow car, and a hostile waiter snarling, "Nigger, you can't eat here." "Suppose they throw at your head," Rickey demanded. "Suppose you're fielding a ground ball, and a white player charges into you and sneers, 'Next time get out of my way, you dirty black bastard.' What do you do then...

Author: /time Magazine | Title: Sport: A Hard Out | 11/6/1972 | See Source »

...should be given an extra round of applause. Not only does Spayde walk, speak, and think old, he looks his part to the tee. Bill Strong, as Slim, carries the play through some rough sections and exerts fatherly confidence in contrast to the surrounding restlessness. Crooks, the stable buck "nigger" played by Paul D. Nichols, produces a forceful image. His accent is excellent and comes forth eloquently in his conversation with Lennie...

Author: By David J. Scheffer, | Title: Of Mice and Men | 10/21/1972 | See Source »

...federal aid for pay and equipment. In a city where the median income is under $5,000 a year, any help he can bring in through his knowledge of federal aid programs is sorely needed. His personality and promises have earned some grudging white support. "He may be a nigger," said one police sergeant, "but he's sure the smartest mayor we ever had." Explained AJ. Lawler, a 25-year resident: "Don't get me wrong, I don't love him. But I tell you, if he does half the things he says...

Author: /time Magazine | Title: RACES: New Mayor in Town | 10/16/1972 | See Source »

...minds with the filth, violence, and cultural lies that are all-pervasive in current productions of so-called black movies," explained Junius Griffin former president of the Hollywood branch of the NAACP and a founder of the new coalition. "The transformation from the stereotyped Stepin Fetchit to Super Nigger on the screen is just another form of cultural genocide...

Author: By Henry W. Mcgee iii, | Title: Black Movies: A New Wave of Exploitation | 10/10/1972 | See Source »

BLACK ACTORS and directors, however, argue that the films economically boost the community because they provide needed jobs for blacks in the movie industry. D'Urville Martin, a black actor who stars in both The Legend of Nigger Charley and The Final Comedown, says: "There was a time when there was no black work, and now that we've got work people are still complaining...

Author: By Henry W. Mcgee iii, | Title: Black Movies: A New Wave of Exploitation | 10/10/1972 | See Source »

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