Word: nightclubbing
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Dates: during 1980-1989
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Gloating was inevitable, from the bad jokes making the rounds in San Francisco's financial district (What do you call a 28-year-old trader in suspenders? Hey, waiter!) to the hand-lettered sign in the window of Cafe Chameleon, a Manhattan nightclub: SO YOUR BROKER'S A LITTLE BROKER? Says Edward Singer, 62, a Portland, Ore., broker: "These younger money managers had become godlike in giving advice...
...handful of writers fall in together at a downtown-Manhattan nightclub, do they make a literary noise if there is no journalist around to hear them...
Cosby has a lot to feel lucky about, starting with the amazing resiliency of his career. While still a student at Temple University, he got his first taste of performing by doing jokes and impressions at parties. Soon he was picking up nightclub gigs in Philadelphia and New York. Juggling comedy stints with school and sports grew more difficult, and the inevitable clash came during his junior year. The football team (for which Cosby played second- string fullback) had to travel out of town for a Saturday game; Cosby had booked himself into a $225 club engagement on Friday night...
Martin's scheme was absurdistly simple. He would put ironic quotation marks around his nightclub act, as if cuing the audience to wonder, "Does this guy really think he's funny doing this tired stuff? Well, I don't think he's funny. In fact, he's so unfunny . . . he's funny!" But the act was largely the one he had honed for years in other venues. He developed Happy Feet in his living room. He learned juggling from the court jester at Disneyland; Steve practiced at home with croquet balls and badly bruised his fingers. Or take...
Farce makes such weighty points through belly-aching humor, a point director Chad Raphael well understands. His stagings are often brilliantly choreographed, bringing out the full chaotic energy of the work. The nightclub entertainment scene metamorphoses into a very credible three-ring circus complete with a strong man in a leopard skin (Ken), scantily-clad female (Lisa Lindley), fat lady (Eileen), can-can dancer (Ted), and Elvis impersonator (Donal Logue)--a deliriously wild spectacle that is one of this show's unforgettable moments. In this scene, Raphael also reminds us of Orton's message that we are all guests...