Word: nightclubs
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Dates: during 1920-1929
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Billy Walsh and Moe Levy, nightclub "boys" now in a New Jersey jail...
...Union will play host tonight to the Juniors and their guests. No crystalline ballroom splendor, no mirrored nightclub radiance greet there the visitor to Cambridge. Yet Harvard and its traditions are not of the tinsel type; and though the gray University bedecks itself now and then for merrymaking, it cannot forget its real hue. New England solidity, Harvard, the Union, the Dance, all seem to merge for the night; but the parts show through. They are all of the tradition...
...CRIMSON it would be an ill-advised petition having one chance out of a hundred of being approved by the college authorities. To state the case coldly, if impropriety can be charged against a dance held in Memorial Hall, it is doubtful if a Boston hotel or nightclub locale would enhance its prestige. This is only one reason for abolishing a dance which to say the least, has lost its cohesion and the respect even of its devotees...
...ridiculous patroness of the new art "discovers" her; it seems that Sadie's angular primitive skull is "the focus of the geometry." Cubism is at its height; the Negro fad starts its blatant vogue with a nude of Black Sadie. From popular artists' model, Sadie proceeds to nightclub fame ending abruptly with a row, murder, discreet fadeaway. On the whole she is glad to be shet of no 'count white folks that treat her as an equal, but the whole gamut of her staccato experience, pertly recorded, actually affects...
...Singing Fool Jolson is Al Stone, a singing waiter at an inferior nightclub, who is daft over a revue-girl (Josephine Dunn). He writes a song, sings it to the revue-girl, is heard by one Marcus (Edward Martindel), a theatrical shogun. Shogun Marcus, impressed, wants Al to write more songs, gives Molly, the revue-girl, a break. Four years later Al & Molly are Broadway pets, but Al loses Molly, who becomes infatuated with John Perry (Reed Howes). There is a three-year-old child called Sonny Boy (David Lee), who escapes artificiality so completely that a hypersensitive cinemaddict feels...