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Word: nightclubs (lookup in dictionary) (lookup stats)
Dates: during 1980-1989
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Usage:

...probably lost somewhere in time-maybe as far back as 1951, taking in an old I Love Lucy show. Perhaps they are watching the most famous episode of Lucy, the birth in 1953 of Little Ricky. Frantic father-to-be Ricky Ricardo wants to cancel a performance of his nightclub act to join his wife at the hospital; Lucy, whose antic zaniness has been transmuted into the madonna-like calm then attributed to every expectant mother, sends him off to work with the unchallengeable claim: "You can't be where I am, anyway." And sure enough, when he takes...

Author: /time Magazine | Title: Video: Ricky, Riley, Edith and Maude | 4/19/1982 | See Source »

...COMMERCIAL SUCCESS of La Cage Aux Folles guaranteed an American imitation. Blake Edwards' attempt--Victor Victoria, a light, romantic comedy set around a decadent 1930's Paris nightclub which featured acts by male impersonators--transcends the dubious spinoff genre Barely. Somehow Victor Victoria, which stars Julie Andrews pretending to be a man pretending to be a woman, works; Blake Edwards has made another slick, funny film...

Author: By Clea Simon, | Title: No Surprises | 4/13/1982 | See Source »

This expensive, technically proficient remake of a 1933 German movie focuses on the adventures of a starving singer. Victoria (Julie Andrews) who is befriended by a failing gay nightclub entertainer. Toddy (Robert Preston). He appreciates her vocal talents and realizes how to market her. She becomes Victor, a delicate, unknown member of the Eastern European nobility who is Paris's greatest female impersonator. Enter King (James Garner), a Chicago gangster who becomes Victoria's love interest but refuses to accept the label of homosexuality his low-life companions attach to him because of his association with "Victor." Complications ensue...

Author: By Clea Simon, | Title: No Surprises | 4/13/1982 | See Source »

...cultural hodge-podge filled with misplaced Americanisms and out of context references. Andrews and Garner discuss "relationships" as only post-1960's lovers would, and her career versus marriage conflict seems equally anachronistic. Henry Mancini's lavish musical numbers are supposedly the main attraction for a decadent nightclub, but his pieces are hardly very risque Yet the plot and competent acting hold Victor Victoria together...

Author: By Clea Simon, | Title: No Surprises | 4/13/1982 | See Source »

Sinking to the lowest common denominator that made 10 a box-office success. Edwards stages one nightclub scene starring Norma (Lesley Ann Warren). King's old girlfriend a Chicago chorus girl with a Brooklyn accent. Singing a paean to the Windy City. Norma struts her stuff and the camera zooms in close enough to count hairs. Slapstick routines, the inevitable waiter with a large cream pie, also form a backdrop for the main action. A few yuks fall flat but most of the jokes sustain a low chuckle coming from the audience...

Author: By Clea Simon, | Title: No Surprises | 4/13/1982 | See Source »

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