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Word: nightclubs (lookup in dictionary) (lookup stats)
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...recent years, Carson has divided his time between hosting the "Tonight Show" and appearing in his own nightclub act. Taylor's career has spanned four decades, and includes such memorable cinematic outings as "Butterfield 8," "Cleopatra," and "Who's Afraid of Virginia Woolf...

Author: By Nicole Seligman and Richard S. Weisman, S | Title: Hasty Pudding to Honor Johnny Carson, Liz Taylor | 1/24/1977 | See Source »

...reports from students holding recent summer jobs show that most undergraduates worked as manual laborers or low-skilled workers--for example, carpenters, garbage men, nightclub bouncers, and janitors...

Author: By J. WYATT Emmerich, | Title: Interest in Summer Jobs Up, DemandDown, OCS-OCL Says | 11/18/1976 | See Source »

...very medium of a musical revue tends to render Harlem's depiction somewhat roseate. Not all Harlem was involved in the nightclub and speakeasy scene, and the numbers racket wars hardly deserve the elegant sentimentalism the production emphasizes. Even when a grimy, overalled Keith Davis breaks out into a powerful "I'm Gonna Tell God All My Troubles," the show's smooth cosmopolitanism implicitly undercuts his simple spiritual...

Author: By Jay E. Golan, | Title: Take the 'A' Train | 10/25/1976 | See Source »

Last week, after two years of preparation and backed by a budget of $200,000, Carte Blanche finally opened. What the raised curtain revealed, reported TIME Correspondent Lawrence Malkin, was some parts that could be called cousins of Calcutta and others that amounted to "a granddaddy of a snappy nightclub revue, liberated to let a lot of old-fashioned smut happily hang out." In short, Carte Blanche works best when the 14-member cast has its clothes on. That turns out to be most of the time. True, the opening scene has them emerging frontally naked from behind shiny, plastic...

Author: /time Magazine | Title: Show Business: Back on the Bawds | 10/11/1976 | See Source »

...This old woman has come to Paris for a last visit with her favorite son (Joseph Maher). As a boy, he used to idle away hours in the trees. As a man, he has idled away his life as a compulsive gambler and is now a gigolo in a nightclub. The woman he lives with is the club hustler (Suzanne Lederer). The conversational pas de trois that these three engage in is replete with bitterness and non-sequitur absurdist humor. The performers are also forced to carry an elephantine load of symbolism...

Author: /time Magazine | Title: The Theater: Nothingness Is All | 10/11/1976 | See Source »

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