Word: nightclubs
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Ruby, bored with her husband and their lecherous, nosy neighbor, puts on a dress one evening and takes off in her schoolbus for a bit of fun. At the local nightclub she hears Earl Tibbits, a slick, cheap singer played with just the right sliminess by Danny Kosow. She waits around after the show and he takes her for a ride in his sports car. The next morning it's back to work for Ruby, but she meets Earl again the following night...
...long as enough people listen to it. Some of the new talk jockeys-or t.j.s-still play music, but it is always subordinate to their dialogue with listeners. Others, like Don Imus of New York City's WNBC, subordinate even the dialogue to their own versions of zany nightclub comedy. Chicago's Larry ("the Legend") Johnson has made a success out of calling odd people or faraway places to entertain his estimated 120,000 weekly listeners on station WIND. What's the weather like in Miami? Larry the Lege will call the Miami weather bureau and find...
...Diego's Off Broadway Theater. The former wife of California Governor Ronald Reagan was waiting for the curtain to go up on the musical Guys and Dolls, starring Daughter Maureen Reagan in the most exciting part she has had in her four-year acting career: Adelaide, the nightclub entertainer and perennial fiancée of Gambler Nathan Detroit. In four pairs of eyelashes and a fluffy blonde wig, Maureen drew guffaws and catcalls in her bumping and grinding A Bushel and a Peck number, but the theater critic of the San Diego Union was more restrained. "Maureen Reagan...
However, Fosse does not do so well in capturing the essence of Fraulein Sally Bowles. As the unsinkable Sally, Liza Minelli is asked to play an American girl abroad, a bit of a nightclub performer and a bit more of a whore. Sporting green fingernails ("Divine Decadence," she purrs to guests in explanation), downing Prairie Cocktails (raw eggs, whisky and worchestershire designed to get rid of the "worst hangovers") and always looking for that one lay which will bring her fortune and fame. Sally is a desperate character whose high spirits are the only assurance she has that...
...characters still sang their thoughts to each other whenever that plot hit a crucial junction--it also introduced seemingly non-integrated throwaway numbers that commented on the plot rather than advance it. It all looked innocent enough--since Sally Bowles, the play's heroine, sings in a sleazy Berlin nightclub, the Kit Kat Klub, it was only natural that the musical would utilize some of the numbers she would have sung on the job. The effect, however, proved far more insidious...