Word: nightclubs
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...VIPs in attendance were, as usual, wowed by what Schrager, 53, calls "hotel as theater." But these days the Brooklyn-born co-founder of New York's legendary Studio 54 nightclub and the man behind such chic cribs as New York City's Royalton and Los Angeles' Mondrian hotels, is looking for a broader audience--people willing to pay up to be put up in his brand of hotel hipness. Trying to stay ahead of the curve he started, Schrager is adding 10 hostelries to the five he had been running. "It's a very capital-intensive business, which doesn...
...Watt and Tracey Thorn put down roots in the New York City and London club scenes a few years ago, after their dance-floor remake of Missing became an international smash. Watt even started manning nightclub turntables. No longer content to be ultra-cool purveyors of trip-hop and jazz-pop, EBTG now adds dance-friendly house beats to its mix. Thorn's magnificently melancholic voice can find its footing anyplace, but some of the beats sound a bit like last year's, and in pop, that's ancient...
...Yugoslav President Slobodan cut the ribbon on Bambi Park, an amusement park he had built even as the air war raged. Marko says the park offers "proof of care for the young generation." For the older generation, proof of Marko's care can be seen at Madona, a nightclub enticingly advertised as the largest in the Balkans. It threatened to start its own skirmish when Liz Rosenberg, the other Madonna's publicist, was quoted as saying the pop star might sue Marko for using her name. Before too much American ink could be shed, though, Rosenberg clarified her remarks...
Darwinism has gone awry once more with "Evolution of the Night," the opening dance party for Venu, a rookie club billing itself as "the world's newest nightclub." Be sure to be properly attired or you won't get a chance to view all of the excitement pumping from DJ Tassos and DJ Alex. 21+. 100 Warrenton...
Ever since his student years at Manchester University in the 1950s (a working-class boy, he paid his way through school with a variety of jobs, including a stint as a nightclub bouncer), Foster loved utilitarian buildings: barns, factories, windmills. He did measured drawings of them when other students were drawing buildings they had never seen: Greek temples, Palladian villas. Foster would learn from those too, but his immersion in common language and use translates into a feeling of rightness, which works as completely in small structures as in large. A fine example of the former is the entrances...