Word: nighting
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...played harmonica and guitar and, between numbers, peddled rube humor. By the early '30s he was making $1,000 a week at the country stuff, but in the bustling Chicago music scene, there was so much more to hear and play. In the morning he was hillbilly, and at night he was playing jazz with Roy Eldridge, Coleman Hawkins, Nat Cole and Art Tatum. He cut his first records in 1936, backing blues singer-pianist Georgia White as she belted out Andy Razaf's raunchy threat, "If I can't sell it, I'll keep sittin' on it, before...
BOSTON, Mass. — I could feel it from a block away. As I moseyed down Arlington, shi-shi Newbury Street on my left and the Commons to my right, I could tell that tonight wasn’t just any night in Boston. When I reached the peak of the bridge leading into the Hatch Shell, my suspicions were confirmed. People—everywhere. Smooshed together as far as the eye could see, seated on lawn chairs or sprawled on blankets, snacking and chatting, just soaking in the dusk-hour breeze. “This is summer...
...change flights in Lisbon with two fresh goose livers packed in his carry-on (the foie gras, much to Barber's chagrin, was confiscated). And his first stop, a tour of a duck-foie gras farm in upstate New York that uses gavage, left Sousa with literal nightmares. That night, he dreamed of hordes of ducks with very long bills...
Today, Cubao X is buzzing. Shops come and go quickly, so you never know who will open their doors at 4 p.m. - the hour that most of the owners, being night owls, prefer to commence business. "It's completely different from a mall - it's still independent and nonmainstream," says indie filmmaker Bong Salaveria. His appointment-only antique store, Vintage Pop, was one of the vanguard establishments of the newly recolonized compound. Salaveria closed it in July - he is about to emigrate to Canada - but Vintage Pop's range of 20th century kitsch, which Salaveria sometimes customized, was emblematic...
Hervé Chandès, the Fondation Cartier's director, calls graffiti "a dance with the walls, with the night, with the police." As this exhibition proves, the dance is still evolving. See fondation.cartier.com for details...