Word: nights
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Dates: during 1950-1959
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...night hearing in the school auditorium, Worley forcefully stated his case before 700 spectators. Principal Arthur B. Shedd argued that lesson plans were not inflexible, just a guide for substitute teachers. Worley saw it differently: "I concede the right of administrators to compel me to guard the footbridge on the day of football games, to patrol the boys' washrooms, and to supervise night basketball games. However irksome I might consider those demands, they do not trespass on the one area of education that is mine alone-the classroom. As long as my competency is accepted, I am the expert...
...eliminating those who looked on teaching as a kind of vacation on the analyst's couch, Taylor mustered some highly promising recruits. An insurance salesman had long studied classical Greek in night school "for fun." A naval radio instructor had spent all his liberties in the Mediterranean haunting archaeological digs. Others were just as hungry for academic pursuits, though a bit rusty. Most needed help in such forgotten arts as ordering their thoughts in a coherent essay. "At the beginning," recalls Principal Thomas Hollins, "they acted as if they were trying to paint a picture with a pickax...
...Then you lied twice: once in telling it to Fred Cook, and having it repeated on last night's program...
...Wreck of the Mary Deare (Blaustein-Baroda; M-G-M). It was a dark and stormy night. The Sea Witch, a salvager out of Southampton, was riding out the Channel gale as a tight ship should. Suddenly, out of the night, a vast shape reared above the tiny vessel. With a gasp the helmsman spun the wheel. A wall of water smashed the Sea Witch broadside, hurling her clear of a big freighter, which "slid by like a cliff." Looking up, the skipper (Charlton Heston) saw no lights on the freighter, no sign of life on the bridge...
Eric Ambler, one of England's ablest writers of thrillers (Journey into Fear) and movie scripts (A Night to Remember, The Cruel Sea), evades the answers to these questions quite as skillfully as Novelist Hammond Innes did in the 1956 bestseller on which this film is based, and the result is a sloshing good scupperful of salt water and suspense. Director Michael (Around the World in 80 Days) Anderson has kept the story going full ahead, and has wrung a remarkable amount of histrionic blood from one of cinema's best-known stones, the face of Gary Cooper...