Word: nikitas
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...life in the U.S. and the USSR.“The tempo in the United States is very fast,” delegation leader Nikolai Voshchinin said at a news conference.Although U.S.-Soviet relations were the talk of the town, the delegates, who arrived in the wake of Premier Nikita Khrushchev’s U.S. visit, strayed from political discussion, focusing instead on cultural exchange, in what appeared to be an attempt to facilitate amicable and peaceful coexistence.Prior to Khrushchev’s first visit to the U.S. during the previous month, Soviets had been prohibited from leaving the USSR...
...Soviet Union was building missile bases in Cuba. President Kennedy learned of the threat the following morning, while still in pajamas, and for the next 12 days the U.S. and Russia were locked in a white-knuckled nuclear face-off - the Cuban Missile Crisis - that ended only when Nikita Khrushchev accepted Kennedy's secret proposal to remove U.S. missiles in Turkey in exchange for the de-arming of Cuba. The Soviet missiles were gone within six months, but it would take a long time for America to forgive the nation that allowed them to be placed so close...
...Both Morel movies were produced and co-written by Luc Besson, who's a one-man French film industry. He earned his early rep as a writer-director with Subway, a vivacious crime melodrama, then made the Hollywood-influenced thrillers La Femme Nikita and The Professional (which introduced Natalie Portman) and the Bruce Willis sci-fi hit The Fifth Element. Rarely directing movies anymore, he's produced nearly 70 of them this decade, most set in Paris, many in English, including the Transporter series and a couple of Jet Li action adventures. Besson is Hollywood in another...
This unease was a handsome fit for serious drama in the early Atomic Age. When the U.S. and the U.S.S.R. both had The Bomb, what was the point in pretense or courtesy? Pinter's quietly murderous insolence was the theatrical equivalent to Nikita Khrushchev's shoe-banging at the United Nations. Good manners were the creamy lie the great powers poured on the toxic gruel of their realpolitik. The only counteroffensive was to write plays in which people misbehaved, tortured each other; for the postwar generation, writing what the Cambridge Review called his "skull-beneath-the-skin" plays...
...finding the “wall” over-the-top, even though it was hard to see what was written on the sheets from the stands. “I didn’t even recognize that the wall was strewn with vulgarity,” said Nikita Makarchev ’11. “I think it’s all part of a larger celebratory package, in a sense.” But to many of the spectators, the “wall” wasn’t the only suspect-looking item to emerge...