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...bang journalism" but also to capture "the feeling of the people trying to live there." A recent honor which Reed received seems to suggest that his desire to depict the human-side of tragedy is not just a goal but a talent. Earlier this year he won the prestigious Nikon World Understanding award for his Central American shots...

Author: By Jeffrey M. Senger, | Title: Eye On Central America | 3/19/1983 | See Source »

...robbery led to his arrest and conviction. Said Eder: "I've been looking at his pictures all year. Let me tell you how good this Neil Leifer is. The only camera in America better than Neil Leifer's is at Citibank." Leifer photographed Eder by mounting his Nikon with a 16-mm fisheye lens on the ceiling right over the middle of the cell, then using a remote-controlled infra-red signal to snap the shutter in order to keep himself out of the picture...

Author: /time Magazine | Title: A Letter From The Publisher: Sep. 13, 1982 | 9/13/1982 | See Source »

Down in the pit of the Senate Foreign Relations Committee's hearing room, Photographer Roddey Mims hunched over and squinted through his Nikon view finder at George Shultz, Secretary of State-designate. As Mims cranked off frames of the imperturbable Shultz through two days of testimony, the cameraman concluded that he had not seen such an open and luminescent pate since the days of Dean Rusk or such a noble double chin since Henry Kissinger used to come around to explain the world...

Author: /time Magazine | Title: The Presidency by Hugh Sidey: A Composite of Experience | 7/26/1982 | See Source »

...Baker's home town of Huntsville, Tenn., to help set up the shooting. Armed with tripod and timer, the Senator went through twelve rolls of Kodak Ektachrome ASA-64 film in his 2¼-by-2¼ Hasselblad, while Mims backed him up with Kodachrome in his Nikon motordrive. As the shooting proceeded, Baker began to relax. "This is the most fun I have had in two months," he told Mims. In the end, Robert Grossman's airbrushed caricature beat out the Senator's efforts for the cover. But readers can see one well-focused result...

Author: /time Magazine | Title: A Letter From The Publisher: Apr. 26, 1982 | 4/26/1982 | See Source »

When Ital Design was retained to develop Nikon's F3 35-mm camera, Giugiaro looked beyond styling to make the most of the camera's improved technology. The motor drive attaches to the bottom of the camera, providing a low center of gravity that offsets the weight of a projecting lens. In addition, the comfortable hand grip is constructed in such a way as to permit stable one-hand operation...

Author: /time Magazine | Title: Design: Creation, Italian-Style | 2/22/1982 | See Source »

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