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...lightly over an airy sound in the strings. Hangen led the listener on a tour of the personalities of the variations, whether in the quirky spiccato passages of the violins or the dance-like slurs of the winds. The lovely muted sounds of the ninth variation, “Nimrod,” created an especially noble effect as the main theme was, for the first time, drawn out in a long line sustained by swells of sound. In the final variation, Elgar returned to himself. Hangen paced the last variation very well, as he alternately pushed forward the rolling...

Author: By June Q. Wu, CRIMSON STAFF WRITER | Title: Boston Conservatory Underwhelms | 10/13/2008 | See Source »

...China Central Television, aged 16. CCTV has been a supporter ever since, broadcasting her to hundreds of millions at a time. "As long as you don't express politically incorrect messages, from the government's point of view these kinds of artists are a very positive phenomenon," says Nimrod Baranovitch, a professor at the University of Haifa in Israel and the author of China's New Voices, an authoritative survey of Chinese popular music from 1978 to 1997. "They help the Chinese state show that China is multiethnic and that China does not oppress minority cultures...

Author: /time Magazine | Title: The Way of Sa | 8/21/2008 | See Source »

...love Green Day, and you probably do too, but while the band’s last couple of efforts (Warning and Nimrod) contained enough amazing songs to justify their continued existence, “American Idiot” slams the nails into their coffin with a depressingly heavy hand...

Author: NO WRITER ATTRIBUTED | Title: New Music | 10/1/2004 | See Source »

Fresh off the release of Warning, their poppiest-and perhaps most mature-album yet and first since 1997's Nimrod, the Berkeley trio wasted no time in plugging the disc, opening with its first single, "Minority." From there, though, the band shied away from a greatest hits type performance, something eminently possible, in favor of a friendlier, all-request format. This slapdash approach was a stroke of genius-it drew the audience into the set and the interaction gave the group a reason to keep going...

Author: By Alan Yang, CRIMSON STAFF WRITER | Title: Pop-Punk Authority Figures | 10/13/2000 | See Source »

Yeah, you heard me: saxophone solo. Frontman Billie Joe and the boys will certainly catch flak from the underground scene for this stripped-down follow-up to 1997's Nimrod. While it's not an album full of heartfelt "Good Riddance"-style ballads, it's still a punk purist's nightmare: mid-tempo strum-alongs with the trademark Green Day melodies but a distortion level of nil. First single "Minority" is probably the punkest song on the disc -and that's not saying much...

Author: By Alan Yang, | Title: Green Day; Warning (Reprise) | 10/6/2000 | See Source »

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