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Voronel and his wife Nina, a poet, were granted permission to emigrate to Israel this year in response to pressure on the Soviet government from American scientists and committees on Soviet Jewry...

Author: By Judith Kogan, | Title: Physicist Criticizes Soviet Government In Talk at MIT | 4/25/1975 | See Source »

...Nina Voronel said yesterday the "only reason" her husband wasn't arrested when he applied for a visa is because of demonstrations in the United States...

Author: By Judith Kogan, | Title: Physicist Criticizes Soviet Government In Talk at MIT | 4/25/1975 | See Source »

...American in Paris. The famous musical made by Vincents Minelli in 1951, and winner of five Academy Awards. Gershwin music, Lerner screenplay, and performance by Gene Kelly, Oscar Levant and Nina Fochs. I find it a little overdone, but some people are into this sort of thing...

Author: By Richard Turner, | Title: THE SCREEN | 2/20/1975 | See Source »

...course, Harvard officialdom has a different explanation. In 1973, Harvard admitted 8 per cent of its black applicants and 18 per cent of its white applicants. According to Nina P. Hillgarth of the graduate admissions office, the applications from black students were "absolutely rotten" (telephone conversation, February 27, 1974). In 1972, Harvard had a minority recruiter, Joseph Strickland, who while touring black campuses recruited over 200 black applicants. Harvard eventually enrolled 13. Peter S. McKinney, administrative dean of the GSAS, said that most of Strickland's recruits were "unqualified" (interview, February...

Author: By The HARVARD Radical union, | Title: Black Admissions: Reemerging Patterns | 12/17/1974 | See Source »

...takes a potentially pedestrian part and makes it fly, in a technically superb performance. Her fifteen-minute sequence is almost worth seeing for its own sake. But the remainder of the cast is undistinguished. Joanna Temple accentuates the already brittle, shrill tenor of Toni's role. Sheila Greene as Nina does little to pry her part loose from its rather uninspired box. Only Joan Trachtman as Toni's mother seems unhappily tethered to a very limited script. One senses she could do a great deal more with the part, given a little room in which to move...

Author: By Barbara Fried, | Title: Out of Focus | 11/4/1974 | See Source »

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