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Word: nineteenth (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

...Museum's magnificent collection of Fiji Island textiles and ceremonial staffs which was collected in the nineteenth century by Alexander Agassiz, remains unlabeled and so cramped in its display that nothing can be seen to any advantage. These materials are also unclassified by tribes, severely limiting study of these objects...

Author: By Ian Strasfogel, | Title: Peabody Collection: Anthropologists' Delight | 5/20/1959 | See Source »

During his short career as commercial artist in fin de si*ecle England, Aubrey Beardsley scored an outstanding success. Unlike most illustrators, he attempted more than a mere commercial art, and he had enough technical equipment to become a significant draftsman of the nineteenth century...

Author: NO WRITER ATTRIBUTED | Title: Aubrey Beardsley | 5/1/1959 | See Source »

Early in the Nineteenth Century the painting was brought to Vienna, where it remained in the hands of one family until Bader bought...

Author: NO WRITER ATTRIBUTED | Title: Rembrandt Painting Certified as Genuine By Fogg Expert | 4/9/1959 | See Source »

...adds colored ink to the black and white woodcut. Munakata, it seems, is not in any way as gifted a colorist as he is a draftsman. His heavy, almost garish, coloring emphasizes how far he has turned from the nice distinctions of tone and shade in eighteenth and nineteenth century Japanese prints. This very simple style, more Western than Oriental, mainly produces naive results; the childish, pseudo-folk art atmosphere of Stones in Water and Hawk Woman is most disturbing. However, the best color print, Nirvana, is so excellent that one is sorely tempted to modify one's attack...

Author: By Clay Modelling, | Title: Shiko Munakata | 3/27/1959 | See Source »

...certain sense, Webern's music was a reaction to the nineteenth century elements that flooded Berg's music and kept on pushing into Schoenberg's. And so a Webern score is extremely economical with notes: most of the pieces are short (some last only a few seconds); virtually every work is full of silence; the sounds heard are frequently very soft and are clearly the result of delicate calculation. There are few mass effects--rather, the attention is concentrated upon a succession of single tones. There is formal economy, too: the care Webern spent in organizing his structures finally resulted...

Author: By Edgar Murray, | Title: Revolution in New Music: Webern and Beyond | 3/20/1959 | See Source »

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