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...afternoon by defeating Newhall, 2 and 1. J. A. Hutchinson '28 then overwhelmed Moore 5 and 4. Playing the best ball Morrill and Hutchinson beat Newhall and Moore, 3 and 1. In the second part of the afternoon's play E. D. Cole '27, was beaten on the nineteenth hole by E. Yates and J. W. Hutchinson '29 downed J. Yates 8 and 7. Playing together, Cole and Hutchinson beat their engineer opponents...

Author: NO WRITER ATTRIBUTED | Title: UNIVERSITY GOLFERS SHOW FINE FORM IN DOWNING M. I. T. | 5/3/1927 | See Source »

...have been set apart for special public care. A law of 1641, recorded in the first section of "The General Laws of the Massachusetts Colony" published in October 1659, provides that capital cases are to be judged by the General Court" (Colonial Laws of Massachusetts, 1887, 1). During the nineteenth century, they were customarily brought at once before the Supreme Judicial Court, and before a quorum of that Court. The General Statues of 1860 provides that four justices constitute a quorum of the court; and that in capital cases. If the prisoner does not plead guilty, the court may assign...

Author: NO WRITER ATTRIBUTED | Title: COURTS MUST HAVE NEW SAFEGUARDS TO REPLACE OLD | 4/29/1927 | See Source »

...Early Nineteenth Century Comedy," Professor Murray, Harvard 3, English...

Author: NO WRITER ATTRIBUTED | Title: THE STUDENT VAGABOND | 4/12/1927 | See Source »

...present interesting exhibit of reproductions of certain works of Cezanne, which as in the former exhibitions, are for sale, plunges the spectator more into the problems of late nineteenth and early twentieth century art than have the other exhibitions of reproductions which have been held in the print room of the Fogg Art Museum...

Author: NO WRITER ATTRIBUTED | Title: FOGG REPRODUCTIONS PRAISED BY REVIEWER | 4/9/1927 | See Source »

...never heard of Sudermann, or his most popular drama, "Magda", in which Madame Bertha Kalich is now playing at the Plymouth, he would yet recognize it, before he had seen the first act through, as one of the dramas of the last quarter of the nineteenth century, as belonging to the period of Ibsen, Zola, Hardy, and the other great questioners of the established order of things. The predominant note which Sudermann strikes in "Magda" is one of protest and incidentally of inevitable tragedy. The comparison with Ibsen's "Ghosts" and the other Ibsen's dramas of a like nature...

Author: By A. L. S., | Title: CRIMSON PLAYGOER | 4/6/1927 | See Source »

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