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...much later, in the nineteenth century, when the English had for centuries been shaping Ireland's history, the visitors sent home many reports. Their comments surfaced both in English guidebooks such as "Ireland: it's scenery, character, etc," and in the writings of Scott and Thackeray. Thackeray wrote, "Directly you see it, it smiles at you as innocent and friendly as a little child...

Author: By Mark Murray, | Title: Uninspired Tourist | 5/8/1984 | See Source »

Trevor tends to connect his chosen selection of writings with rather dry, cursory remarks. But in more extended passages, such as the fascinating and powerfully-felt paragraph comparing the literary aspects of England and Ireland in the nineteenth century, Trevor's voice takes on the tone of a refreshingly enthusiastic, rather than a dutiful, guide. For example, talking about the playwright Sean O'Casey, Trevor says that...

Author: By Mark Murray, | Title: Uninspired Tourist | 5/8/1984 | See Source »

...Wilde remarked that "while I see there is nothing wrong in what one does, I see that there is something wrong in what one becomes." Golding has used this idea to give an old genre a new lift. Where disillusionment and the loss of ideals gave force to the nineteenth century novel of education, the resurfacing of suppressed, forgotten, or missunderstood ideals gives Golding's novel its kick. Barclay, realizing that his beliefs have been Christian and his acts have not, understands that his life is past human repair. Barclay himself cannot do anything about the person he has become...

Author: By John P. Oconnor, | Title: Journey of the Damned | 4/25/1984 | See Source »

...offers a clear--albeit atavistic--vision of what he would like America to be Reagan is dead set on dismantling government--or at least the kind Americans have known for the past forty years. His American future is a blurry dream of what this country never was in the nineteenth century...

Author: By Daniel P. Oran, | Title: A Change of Hart? | 2/29/1984 | See Source »

...Nineteenth century travel photographers used chemicals and light to catch distant realities upon a collodion wet plate and bear them home in velvet-lined boxes to London or New York. It was a cumbersome wizardry that they practiced, lumbering across Mexico or Africa in darkroom wagons. In desert heat they crawled under layers of blankets, into lightless black bags, to change their photographic plates. When a photographer named Captain Payer was taking pictures in Egypt for the Viceroy in 1863, the fellahin thought that his camera was a Pandora's box, and-that his black bellows contained cholera; they...

Author: /time Magazine | Title: Books: A Shelf of Season's Readings | 12/12/1983 | See Source »

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