Word: nineteenth
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...their prudery, the Victorians were considerably more willing than modern men to discuss ideas-such as social distinctions, morality and death -that have become almost unmentionable. Nineteenth century gentlewomen whose daughters had "limbs" instead of suggestive "legs" did not find it necessary to call their maids "housekeepers," nor did they bridle at referring to "upper" or "lower" classes within society. Rightly or wrongly, the Victorian could talk without embarrassment about "sin," a word that today few but clerics use with frequency or ease. It is even becoming difficult to find a doctor, clergyman or undertaker (known as a "mortician...
...their own shortcomings. Thomas Mann described this period of apparent artistic desperation and extravagance as the miserable satyr play of a smaller time. This business of post-romantic it self is a continuously evolving, because imperishable, force in music. The post-romantic period was a continuation of the nineteenth-century attempts to fuse literature and music in the creation of a more ardent poeticism and evocative drama. The popular portrayal of this period also habitually refers to it as the death-knell of the symphony; in which traditional forms were dealt a stunning blow and collapsed from sheer exhaustion after...
...this production. Kahn is using a version by Moura Budberg, of whom I know nothing at all. Her translation is viable enough, though there are a few things she has not got quite right, and at times some dictional touches that seem a bit too modern for a late-nineteenth-century milieu...
...SCOPE and thoroughness, The Four-Gated City is very much a nineteenth century novel. However, its concerns are much more contemporary. To simplify matters immeasurably--and, for those who have read the book, perhaps intolerably--the narrative alternates between the two poles of politics and insanity--the public and private responses of modern man. As literary marriages go, it seems the successful offspring of an alliance between George Orwell and Virginia Woolf...
Albert Schweitzer, who almost single-handedly revived interest in Bach during the first decade of this century, happily list the few people who accepted and appreciated Bach's genius: Mendelssohn, Goethe, Schumann, Beethoven, Wanger, Liszt. Once the common opinion of only the greatest artists of the nineteenth century, that opinion is now generally accepted. Today we learn harmony from Bach's chorales and even Time Magazine has called him "The Fifth Apostle...