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Word: nineteenths (lookup in dictionary) (lookup stats)
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...have been teaching it for ten years, I write about it I think they were fascinating guys," he says. "I don't agree with them, but then I don't agree with anyone in the nineteenth century about anything...

Author: By David S. Kurnick, CRIMSON STAFF WRITER | Title: Rethinking Black and White | 7/28/1992 | See Source »

Along Mt. Auburn Street, the "Gold Coast" dorms catered to the lifestyles of the children of the rich and famous. Claverly Hall, now annexed housing, and Randolph and Westmorely Halls, which later became part of Adams House, were the late-nineteenth century lap of luxury: spacious rooms, private baths, steam heat...

Author: By Joanna M. Weiss, CRIMSON STAFF WRITER | Title: The Ugliest Buildings You'll Ever See | 7/3/1992 | See Source »

...Apple Circus, a one-ring show with the big-top pitched at Marine Industrial Park, twenty minutes by foot from the State T-stop. The Big Apple is a two-elephant circus. That is how a circus used to be advertised, by the elephant-count. In the late nineteenth century, circus owners competed for the elephant crown. In 1881, Barnum had four elephants, Forepaugh had five, and the Sells Brothers called their gig the "Great European Seven Elephant Railroad Show." No match for Pompey, who is 61 B.C. advertised a celebration at the Circus Maximus in his own honor...

Author: By William H. Bachman, | Title: A Day With The CIRCUS | 4/23/1992 | See Source »

...exploring the psychological consequences of slavery in a relatively peaceful period in our country's history, Morrison demonstrates that the World Wars are not the only horrors of the twentieth century. Slavery has not been left behind in the nineteenth century, and its spiritual repercussions still have the power to immobilize and destroy lives...

Author: By Vineeta Vijayaraghavan, | Title: Morrison Finds Tragedy Underneath the Jazz Age: | 4/23/1992 | See Source »

...sketch a woman's face in "Tete,"--or Dufy, who uses a charcoal pencil to delineate contours without filling in the flesh of bourgeois French men in "Personnage"--the figures create a dynamism that only modern art evinces. This visual movement strongly contrasts the static and frigid characters of nineteenth century French artists like Ingres and David, whose canvases present both form and content, with the former prevailing...

Author: By Aparajita Ramakrishnan, | Title: Exhibit of Modern Art Surveys the 20th Century's Aesthetic Innovators | 4/2/1992 | See Source »

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