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Other, more dramatic changes were to come to the Charles River in the nineteenth century. A great slice of the basin at the river mouth was to be filled in. The process was set in motion when the city of Boston decided it needed to expand. First it filled in the large Mill Pond near what is now the North End. To replace the water power (used for turning the city's grist mills) produced by the dam around the Mill Pond, the Legislature approved in 1819 a new dam stretching from what is now Brighton across the Back...

Author: By John Sedgwick, | Title: Watching the River Flow | 4/8/1976 | See Source »

...years of contemplating Hitler's atrocities, Speer exhibits no genuine revulsion. His few denunciations of Hitler are either rhetorical or trivial. He never resolves the secret of his attraction to Hitler. Such attempts at explanation as "I regarded Hitler above all as the preserver of the world of the nineteenth century" are hardly adequate...

Author: By Stephen J. Chapman, | Title: Nazi Notebooks | 3/12/1976 | See Source »

Norwegian playwright Henrik Ibsen turned the medium in on itself; the confines of the parlor were a perfect metaphor for the confinements of nineteenth century society. An adaptation of Ghosts at the Loeb transforms Ibsen's sitting room into a chic contemporary country home; the end result is a fine production which resembles Ibsen in form but not in sense...

Author: By R.e. Liebmann, | Title: An Affable 'Ghosts' | 3/4/1976 | See Source »

TRAPPED IN A hellish marriage with a philandering Captain, Helene Alving abandons marital duty and seeks love and refuge in the arms of old family friend Pastor Manders. But those arms are too busy embracing the constraints of nineteenth century society to make room for a tearful would-be adultress, so Manders sends Helene right back to the Captain with a firm reproach and charter membership in the Cult of True Womanhood...

Author: By R.e. Liebmann, | Title: An Affable 'Ghosts' | 3/4/1976 | See Source »

...newly aware widow, Manders' narrow moralism now provides not solace but suffocating oppression. The Pastor becomes the symbol of nineteenth century conventions...

Author: By R.e. Liebmann, | Title: An Affable 'Ghosts' | 3/4/1976 | See Source »

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