Word: nineteenths
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...nineteenth century found Bach's music difficult to perform in the Romantic style-their alternating piano-forte, their rubato, their sharp dynamic contrasts. If Bach's was difficult to adapt to their style, the nineteenth century decided, it was Bach's fault...
...Nineteenth century French painting has never fitted neatly into art historians' annals. It was a century of variety and contradictions, blessed with an embarrassment of riches. Every decade had its transcendent master-David, Ingres, Delacroix, Courbet, Corot, Manet, Cézanne-whose force of personality outshone multitudes of minor but thoroughly accomplished painters. One artistic ism followed another, as Neo-classicism yielded to Romanticism, Realism to Impressionism...
...artists, or so bewildered the public, as the years from 1882 to 1935 -- years of almost constant musical detonations. The main crisis was that the girdling shadow of the colossus Wagner had to be escaped. The entire community of Europe agonied in the punishing ascendency of the magnificent nineteenth century figures: Beethoven, Wagner, Brahms, Metternich, Bismarck, Darwin. Music was caught in a vortex of gigantic, lavish attempts at the final romantic masterpiece. Mahler's Eighth Symphony, Richard Strauss's Symphonia Domestica and Alpine Symphony, Schoenberg's Pelleas and Melisande and Gurre-Lieder, Scriabin's Poem of Ecstasy were all part...
...CENTURY has been so crowded that each generation seems like an entire age, and the Paris of the Twenties in the memoirs of Fitzgerald and Hemingway appears as remote to us as the literature of the nineteenth century must have been to them. Surrealism is no more than a riotous fantasy rooted in the past; the period between the Wars emerges as a violent dream...
WHAT Ungaretti drew from the War was the peculiar knowledge of a "disabused modern consciousness," not d'Annunzio's heroic myth of the theatrical, but rather the awareness of anonymity and other sorrows. Influenced more by Giacomo Leopardi, the great Italian poet of the nineteenth century, and by Mallarmé, than by the aesthetic exigencies of his own age, Ungaretti shared with his close friends Apollinaire and the Fauvist Braque a profound despair over history's irrationality. But Apollinaire never survived the War, and those who did were so shattered and forlorn that their only response was that...