Word: ninths
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Dates: during 1940-1949
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Serge Koussevitzky said goodbye to Boston Friday and Saturday with a performance of Beethoven's Ninth Symphony which will long be remembered by those privileged to attend. It was not by any means a definitive performance, however. There were the usual alterations, sacrificing the composer's intentions for Koussevitzky's idea of effect, and the physical limitations of Symphony Hall's stage forced the conductor to use a smaller chorus than is ordinarily employed. But Dr. Koussevitzky's interpretation of Beethoven's masterpiece was one which for sheer beauty and noble concept will seldom be approached...
Koussevitzky's interpretation of the Ninth made clearer and even more awesome the strake simplicity of Beethoven's music. The opening bars of the first movement, just simple open fifths descending in the strings, were built up inexorably to the first statement of the theme by the whole orchestra in unison. It is a simple dominant-tonic progression, the first thing taught in an elementary harmony course. Simple means indeed, but nothing more overpowering has even been written...
Finally, the CRIMSON came to bat in the last half of the ninth inning: the evening shadows were lengthening in the sun now turned orange. The first man to the bat was the inspirational leader of the CRIMSON nine, Pompous Prexy Pratt, his face fiushed in the Cadmium sun. He reached first on a walk...
...Struck out for Moffle in ninth...
...Carduff was outstanding both at the plate and at his second base position. His eighth inning triple knocked in the eight and ninth Crimson runs, and he missed a steal of home with the tying run by less than a foot a few seconds later...