Word: nippon
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Dates: during 1950-1959
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...closer to revolt. In sweltering Djakarta, politicians apprehensively swapped rumors, and the press daily demanded the return of President Sukarno from his extended vacation. "Dally no more," urged the Times of Indonesia. But in Tokyo, Sukarno dallied on. He lunched with Emperor Hirohito, visited shrines, bandied compliments with Miss Nippon of 1951. "There is no cause for alarm or anxiety," said Sukarno...
Back in 1952, Shigeru Murai, a natty, smooth-talking member of a well-to-do Tokyo merchant family, joined the staff of the Nippon Textile Research Institute, a respected outfit set up by the textile industry to study market research and improve designs. Two years later, Shigeru Murai resigned and opened a new textile sales company just across the street from the institute in the heart of Tokyo's business district. Flashing the institute's name and his career there to get credit, the smiling and ever-courteous Murai bought large quantities of textile and paper supplies...
...been swindled. Checking, police found that Murai had run up $400,000 in unpaid bills, and had no visible assets. They also found that Murai and 36 of his 40 employees were hard-shell Communists, and that, thanks to the astute Murai's maneuvering, the seemingly respectable Nippon Institute was now Communist-controlled. Last week, confronted with the facts, Murai confessed that the party, hard pressed for funds after General MacArthur drove it underground in 1950, had decided to set up a string of phony companies on credit, sell goods quickly for all the. cash they could...
...feuding students from Rikkyo and Nippon Universities started a riot in a beer hall. Result: one student dead. ¶ In June, three students from Komazawa, Japan's foremost Buddhist university, were arrested for assault and attempted rape after breaking into a public bathhouse and attacking two bathhouse maids...
...Magnificent Seven (Toho; Columbia). Arms and the men have seldom been more stirringly sung than in this tale of bold emprise in old Nippon. In his latest film, Akira Kurosawa (Rashomon) has plucked the epic string. And though at times, in the usual Japanese fashion, some dismal flats and rather hysterical sharps can be heard, the lay of this Oriental minstrel has a martial thrum and fervor that should be readily understood even in those parts of the world that do not speak the story's language. Violence, as Kurosawa eloquently speaks it, is a universal language...