Word: nists
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...beginning to understand the actions and psychology of the thousands who had a chance to escape. The people who made it out of the World Trade Center, for example, waited an average of 6 min. before heading downstairs, according to a new National Institute of Standards and Technology (NIST) study drawn from interviews with nearly 900 survivors. But the range was enormous. Why did certain people leave immediately while others lingered for as long as half an hour? Some were helping co-workers. Others were disabled. And in Tower 2, many were following fatally flawed directions to stay...
...take with me. I remember I took my book. Then I kept looking around for other stuff to take. It was like I was in a trance," she says, smiling at her behavior. When she finally left, her progress remained slow. The estimated 15,410 who got out, the NIST findings show, took about a minute to make it down each floor--twice as long as the standard engineering codes predicted. It took Zedeņo more than an hour to descend. "I never found myself in a hurry," she says. "It's weird because the sound, the way the building...
...planes hit later in the day, when the buildings typically held more than 32,000 additional people, a full evacuation at that pace would have taken more than four hours, according to the NIST study. More than 14,000 probably would have perished, Zedeņo among them...
...through the air, giving the bad guys foot-facials (Charlie's stunt maven, Yuen Cheung-yan, is the brother of Yuen Wo-ping, who choreographed Tiger). And to Barrymore, who produced it, Charlie's is a tribute to today's woman: able, independent and cute--not so much femi-nist as femi-nice. "We wanted the Angels to be strong, but not masculine," says scriptwriter John August. "They aren't afraid of their sexuality, but they don't use it as power. Drew and I agreed they should be recognizable 'girls.' And she doesn't mind the word girls...
...through the air, giving the bad guys foot-facials (Charlie's stunt maven, Yuen Cheung-yan, is the brother of Yuen Wo-ping, who choreographed "Tiger"). And to Barrymore, who produced it, "Charlie's" is a tribute to today's woman: able, independent and cute, not so much femi-nist as femi-nice. "We wanted the Angels to be strong, but not masculine," says scriptwriter John August. "They aren't afraid of their sexuality, but they don't use it as power. Drew and I agreed they should be recognizable 'girls.' And she doesn't mind the word 'girls...