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Word: niven (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

High Noon and The Moon Is Blue (at the V.F.W. Parkway Drive-In in West Roxbury). A pair of fine cinema classics with Gary Cooper and Grace Kelly in the first, William Holden and David Niven in the second...

Author: NO WRITER ATTRIBUTED | Title: Recommended Movies... | 7/18/1957 | See Source »

...civilized"-i.e., share the wealth, even when his only asset is a wife. In the play the heroine made the merry most of her polyandrous predicament, but poor Ava gets less bed than bored. Her husband (Stewart Granger) is interested in other things, and her would-be-wooer (David Niven) appears too vague to know what he wants. The only other man on the island is (or seems to be) a savage who can say nothing but "Boola!" In fact, the most interesting thing anybody can find to say is, "Now let me see, is there anything IVe forgotten...

Author: /time Magazine | Title: Cinema: The New Pictures, may 27, 1957 | 5/27/1957 | See Source »

...David Niven, an old hand at delivering the cultivated sneer, plays the intrepid and imperturbable voyager in a way which leaves nothing to be desired. A famous Mexican comedian named Cantinflas is consistently funny throughout as the valet, and shines particulary in a humorous interpretation of a bullfight. Shirley MacLaine plays the Indian princess, and the late Robert Newton makes his last screen appearance as a detective who pursues the travelers under the impression that he is chasing a pair of bank robbers. Todd has also somehow managed to get 44 stage and screen stars to play bit parts. They...

Author: By Thomas K. Schwabacher, | Title: Around the World in 80 Days | 5/9/1957 | See Source »

Almost without exception, the actors do injustice to their already ineffectual lines. Only David Niven, in an unrewarding bit part, shows any knowledge of acting. Early movies don't have to be bad movies...

Author: By Walter E. Wilson, | Title: The Charge of the Light Brigade | 5/6/1957 | See Source »

...confusion centers in the analyst (David Niven), the figure whose bubble reputation the satiric point is apparently intended to prick. But the bubble is never blown; from the first scene, Niven is represented as little more than a passive scratching-post for a pack of pampered cats. But suddenly, in the last scenes, he turns into the father image-sober, sound, sententious, and yet as modern as a cubist grandfather's clock. In the meantime, the moviegoer has weltered through a series of vaguely amusing scenes that go nowhere almost as fast as the well-known labyrinth dream...

Author: /time Magazine | Title: Cinema: The New Pictures, Mar. 11, 1957 | 3/11/1957 | See Source »

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