Word: nobelity
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Judging by the pace at which they're working, both Gordimer and Walcott appear to be surviving the Nobel. Gordimer's new novel, The House Gun, which comes out this month, is a tense postapartheid family drama as vital as anything she has ever written. The protagonists are a white upper-middle-class couple who've managed to glide through their country's revolution without so much as a hair out of place. Then their adult son confesses to murder, and the stalled karmic wheels begin to turn. The story deftly brings home a tricky truth: peace...
...intellectual fires. With her son, documentary filmmaker Hugo Cassirer, she's currently working on a film that will contrast the recent histories of two long-divided but now reunified cities, Berlin and Johannesburg. Referring to the project, Gordimer may as well be speaking of her own experience with the Nobel: "We've become fascinated by what happens after the initial euphoria, and how you deal with daily life...
...unusually suspenseful opening. The Capeman, which tells the story of Salvador Agron, a Puerto Rican teen who killed two white youths in a Manhattan playground in 1959, has been plagued by a drumbeat of doomsaying in the New York media, last-minute changes and a postponed opening date. The Nobel curse may be chasing Walcott, but his productivity seems unaffected. His most recent book of poetry, The Bounty, was published last summer to good reviews, and his next book--a collection of his paintings accompanied by a long poem--is due to appear later this year...
...Nobel Prize isn't perfect. Not every great writer wins, and not every winner is a great writer. Still, the Nobel does bring the one thing every writer can always use, besides a nice house on a bay: self-confidence. "You could say, 'Oh, yes, it was time the prize was given to a black woman or to a Caribbean writer,'" says Walcott. "But one likes to believe that it is based on merit, even if it sounds flattering to say that." Sometimes literature's kiss of death, it seems, can be the breath of life. --By Walter Kirn. With...
...began imagining how this historical material might generate a work of fiction, Morrison bumped into one of the banes of creative artists everywhere: the intrusion of the outside world into the space of private concentration. Drat the luck, in October 1993 she was awarded the Nobel Prize for Literature...