Word: noblewoman
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Dates: during 1970-1979
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Mozart and Librettist Lorenzo da Ponte created an enormously alluring, vital protagonist who pursues his appetites with cheerful disregard for law or morality. After forcing himself on a noblewoman, Donna Anna, he duels with her father, the Commendatore, and kills him. Then, while the Don busies himself mostly with trying to seduce the peasant girl Zerlina, Donna Anna joins forces with her fiancé Don Ottavio and another of the Don's conquests, Donna Elvira, to hound him through a series of comic entanglements, disguises and escapes. When a statue of the slain Commendatore comes to life and challenges...
Christopher Fry's A Phoenix Too Frequent, which heads the double bill, is a broad satire of the Antigone vein of Greek tragedy. There are only three characters: Dynamane, a recently widowed noblewoman who has decided to die from starvation in her late husband's tomb; Doto, her feeble-witted and man-hungry servant who has decided to die from physical and sexual starvation with her mistress; and Tegeus, or as he is called by Dynamane, Cromus, a steedly Hoplite who blunders into the whole affair and falls in love with Dynamane. Using this simple plot and character framework...
...church as a device of hell. The cleric actively supports these zealots who will neither touch women nor eat meat, men who preach heresy to his parishioners. At the same time he uses his powers of flattery and persuasion to seduce most of the nearby females, including a local noblewoman, the chatelaine, and his 14-year-old cousin. When the Inquisition comes to town, he turns double agent, denouncing his fellow heretics to the investigating bishop...
...hill town of Urbino to visit the site of the worst art theft since World War II. Between midnight and 2 in the morning of Feb. 6, three paintings had been taken from Urbino's 15th century Ducal Palace. One was a portrait of an unknown noblewoman, nicknamed The Mute, by Raphael. The other two were by Piero della Francesca: The Flagellation and the Madonna of Senigallia...
...remarkable climax to a successful inaugural week. When it comes to piling horror on horror, Ginastera outclasses anyone now writing for the operatic stage. Beatrix Cenci can best be described as Renaissance Gothic. Based partly on history, partly on the Shelley tragedy, it tells how a young Roman noblewoman (Soprano Arlene Saunders) is seduced by her choleric, morally corrupt father. Count Francesco Cenci (Bass-Baritone Justino Díaz), then revenges herself by arranging his murder. In the end, she is found out, tortured on the rack, beheaded. Not a libretto to every composer's taste, naturally, but just...