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Word: noblewoman (lookup in dictionary) (lookup stats)
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...Japan's feudal age, a defenseless noblewoman and her family are seized by bandits. She is sold for a whore. Her children become slaves of the ruthless Sansho, fief-holder to one of Japan's most powerful nobles. By linking the exploitation of the weak to the separation of a family, the film achieves a simple unity of immense power. The children's motivation to escape and find their mother is at the same time a political motivation. When the boy Zushio decides to become Sansho's man, his sister Anju taxes him not only for his cruelty...

Author: By Mike Prokosch, | Title: The Moviegoer Sansho the Bailiff | 1/13/1970 | See Source »

...tracking shots allow Mizoguchi at once to shoot every situation with unbelievable guts and to keep his film flowing onward. They combine anguish and beauty, human motion and a fixed setting. In the beginning they glide with the noblewoman and her children through a forest, playing with the light and shade of the passing trees. When the bandits take her from them, fast tracks of incredible violence following them running along the shore after the women are cut against shots of her being carried off in a boat. In every track characters and setting, foreground and background, seem...

Author: By Mike Prokosch, | Title: The Moviegoer Sansho the Bailiff | 1/13/1970 | See Source »

After about a minute of this, two of the actresses, playing a noblewoman and her beautiful servant, moved away from the rest of the people toward the corner of the room from which they come on stage to open the second act. As they moved, they talked to each other, half as their characters, half as themselves, improvising their lines. Then, as they stood arguing, Cooper said, "All right, come on. Come on." And, as the rest of the cast was silent, the two girls cut from their improvised dialogue to the lines which open the second act. This time...

Author: By Nicholas Gagarin, | Title: Trying to Find The Ties That Bind At the Loeb | 3/20/1969 | See Source »

Small wonder Rudolf is driven into the arms of a regal young noblewoman named Maria (Catherine Deneuve). The empassioned lovers flee to Mayerling, the royal hunting lodge deep in the Vienna Woods, where they eventually commit joint suicide. Before he leaves, Rudolf resigns his princely inheritance by throwing his ring in the Emperor's face. Line: "So much for your Holy Roman Empire...

Author: /time Magazine | Title: Cinema: Between the Lines | 2/21/1969 | See Source »

MODERN Irishmen have been driven to assume that you love God by hating women. A curious attitude, but then Ireland has produced some curious women. Grania, a legendary noblewoman of pre-medieval times, was certainly one of those primarily responsible for the bewildered attitude of the Irish. Her countrywomen have been imitating her for centuries...

Author: By D.c. Fitzgerald, | Title: Grania | 3/9/1968 | See Source »

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