Word: noel
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Dates: during 1980-1989
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...James Elsis, Kenneth B. Smith (Designers) Production: Paul Dovell (Manager); Carri Marks Layout: John P. Dowd (Traffic); Joseph Aslaender, David Drapkin, Victoria Nightingale, Leah M. Purcell, Lisa Sampson, Nomi Silverman, Eugene Tick, Lisa C. Tremaine, Dennis Wheeler Maps and Charts: Paul J. Pugliese (Chief); Cynthia Davis, Joe Lertola, E. Noel McCoy, Nino Telak, Deborah L. Wells Administration: Carrie A. Zimmerman...
...James Elsis, Kenneth B. Smith (Designers) Production: Paul Dovell (Manager); Carri Marks Layout: John P. Dowd (Traffic); Joseph Aslaender, David Drapkin, Victoria Nightingale, Leah M. Purcell, Lisa Sampson, Nomi Silverman, Eugene Tick, Lisa C. Tremaine, Dennis Wheeler Maps and Charts: Paul J. Pugliese (Chief); Cynthia Davis, Joe Lertola, E. Noel McCoy, Nino Telak, Deborah L. Wells Administration: Carrie A. Zimmerman...
...James Elsis, Kenneth B. Smith (Designers) Production: Paul Dovell (Manager); Carri Marks Layout: John P. Dowd (Traffic); Joseph Aslaender, David Drapkin, Victoria Nightingale, Leah M. Purcell, Lisa Sampson, Nomi Silverman, Eugene Tick, Lisa C. Tremaine, Dennis Wheeler Maps and Charts: Paul J. Pugliese (Chief); Cynthia Davis, Joe Lertola, E. Noel McCoy, Nino Telak, Deborah L. Wells Administration: Carrie A. Zimmerman...
...James Elsis, Kenneth B. Smith (Designers) Production: Paul Dovell (Manager); Carri Marks Layout: John P. Dowd (Traffic); Joseph Aslaender, David Drapkin, Victoria Nightingale, Leah M. Purcell, Lisa Sampson, Nomi Silverman, Eugene Tick, Lisa C. Tremaine, Dennis Wheeler Maps and Charts: Paul J. Pugliese (Chief); Cynthia Davis, Joe Lertola, E. Noel McCoy, Nino Telak, Deborah L. Wells Administration: Carrie A. Zimmerman...
When the action shifts to his minimalist pad, where he surprises his lover in bed with a boyfriend, he caroms between Noel Coward worldliness and Edward Albee combat, hinting at suicide, half attempting murder. In earlier versions of the play, the bloody pathos of opera found a parallel: the abandoned man stabbed his lover, then held him in a last embrace. That ending felt arch. This one feels anticlimactic, void of release. So does the end of an affair, an event McNally chronicles with specific detail and authentic, universal pain...